The Publisher's final version can be found by following the DOI link.Sonic Writing, Technologies of Material, Symbolic, and Signal Inscriptions is the first monograph by Thor Magnusson. It offers a thoughtful and creative insight into the past, present and future of music technologies. Questions, such as what is the origin of music, what is a musical instrument, what does the digital bring into musical practices, how do we write music and what do we write, are addressed throughout its 290 pages with the aim of understanding the nature, lineage and future directions of contemporary digital instruments. The captivating cover image, Study no. 57, is made by Ryan Ross Smith and belongs to an animated notation. The still image is an abstract vis...
New sounds created new sensory experiences and interpretations of sensibility; they produced new eco...
This is a very large book. It is over 500 pages of 1.5 spaced A4 paper in very small (11- point, I ...
musical mystery tour They say that writing about music is like dancing about architecture, and they ...
Sonic Writing explores how contemporary music technologies trace their ancestry to previous forms of...
This article intends to provide a holistic review of Thor Magnusson’s Sonic Writing, presenting the ...
Before the phonograph, when the final note of a piece of music finished, it would only exist in our ...
Strange Sounds is among the growing literature concerned with the interface of technology and musica...
Capturing Sound, by Mark Katz, is a literary work that explores concepts of sound capturing, or reco...
A 3000 word review of a series of ten academic papers on Music Sound and Multimedia, compiled into a...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
Strange Sounds is among the growing literature concerned with the interface of technology and musica...
R. Murray Schafer coined the term "sound souvenirs" in The Soundscape (1994 [1977]: 240) to describe...
Reviews the book, The Origins of Music by Carl Stumpf and edited and translated by David Trippett (s...
Book review of: Music and the making of modern science , by Peter Pesic. London: MIT Press, 2014; Ha...
In Listening Through the Noise, Demers presents an aesthetic theory of experimental electronic music...
New sounds created new sensory experiences and interpretations of sensibility; they produced new eco...
This is a very large book. It is over 500 pages of 1.5 spaced A4 paper in very small (11- point, I ...
musical mystery tour They say that writing about music is like dancing about architecture, and they ...
Sonic Writing explores how contemporary music technologies trace their ancestry to previous forms of...
This article intends to provide a holistic review of Thor Magnusson’s Sonic Writing, presenting the ...
Before the phonograph, when the final note of a piece of music finished, it would only exist in our ...
Strange Sounds is among the growing literature concerned with the interface of technology and musica...
Capturing Sound, by Mark Katz, is a literary work that explores concepts of sound capturing, or reco...
A 3000 word review of a series of ten academic papers on Music Sound and Multimedia, compiled into a...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
Strange Sounds is among the growing literature concerned with the interface of technology and musica...
R. Murray Schafer coined the term "sound souvenirs" in The Soundscape (1994 [1977]: 240) to describe...
Reviews the book, The Origins of Music by Carl Stumpf and edited and translated by David Trippett (s...
Book review of: Music and the making of modern science , by Peter Pesic. London: MIT Press, 2014; Ha...
In Listening Through the Noise, Demers presents an aesthetic theory of experimental electronic music...
New sounds created new sensory experiences and interpretations of sensibility; they produced new eco...
This is a very large book. It is over 500 pages of 1.5 spaced A4 paper in very small (11- point, I ...
musical mystery tour They say that writing about music is like dancing about architecture, and they ...