Add to ORKG100 pagesTABLE OF CONTENTS I. Introduction 1-9 II. Ex-cell-ence in Narration 10-36 III. Spectators As Puppets On A String Of Identification 37-53 IV. Looking At The Real Of Desire Through The Cracks In Reality 54-74 V. Paranoid Fantasy and Nostalgia 75-85 VI. Conclusion: Cinematic Reality Past and Future 86-97 VII. Bibliography 98-9
The purpose of this study was to understand how film viewers contextualize on-screen alternate reali...
The purpose of this paper is two-fold: to identify the problem of cinematic imagination, and then to...
In order to further our understanding about the limits of human consciousness and the dream state, w...
There are many ways in which filmgoing is like dreaming. The space and time of the film experience a...
I agree with much of Professor Sparshott’s argument. I would add that when film is not taken as a re...
AbstractDreams have been a source of inspiration for humans throughout the history. They vary from t...
“Dreams are the touchstones of our characters.” - Henry David Thoreau, A Week on the Concord and Mer...
The relationship between art, illusion and reality has been part of philosophical debate for centuri...
ALIVE in the UNIVERSE, curated by Caroline Wiseman & David Baldry, presents 28 artists over 28 days ...
Films have forever changed the way in which humans perceive reality and have provided significant op...
Uncanny breaches, flimsy borders Jan Švankmajer’s conscious and unconscious worlds The portrayal of ...
Sharon Kivland’s vinyl LP To Dream by the Book was played throughout the exhibition on a vintage Mar...
In the ultimate sense of projection as psychological and ontological creation, this film proposes ...
This dissertation is an investigation into the relationship between the experiences of psychosis, dr...
Through classical Hollywood cinema, one can explore the broad variety of meanings that the concept o...
The purpose of this study was to understand how film viewers contextualize on-screen alternate reali...
The purpose of this paper is two-fold: to identify the problem of cinematic imagination, and then to...
In order to further our understanding about the limits of human consciousness and the dream state, w...
There are many ways in which filmgoing is like dreaming. The space and time of the film experience a...
I agree with much of Professor Sparshott’s argument. I would add that when film is not taken as a re...
AbstractDreams have been a source of inspiration for humans throughout the history. They vary from t...
“Dreams are the touchstones of our characters.” - Henry David Thoreau, A Week on the Concord and Mer...
The relationship between art, illusion and reality has been part of philosophical debate for centuri...
ALIVE in the UNIVERSE, curated by Caroline Wiseman & David Baldry, presents 28 artists over 28 days ...
Films have forever changed the way in which humans perceive reality and have provided significant op...
Uncanny breaches, flimsy borders Jan Švankmajer’s conscious and unconscious worlds The portrayal of ...
Sharon Kivland’s vinyl LP To Dream by the Book was played throughout the exhibition on a vintage Mar...
In the ultimate sense of projection as psychological and ontological creation, this film proposes ...
This dissertation is an investigation into the relationship between the experiences of psychosis, dr...
Through classical Hollywood cinema, one can explore the broad variety of meanings that the concept o...
The purpose of this study was to understand how film viewers contextualize on-screen alternate reali...
The purpose of this paper is two-fold: to identify the problem of cinematic imagination, and then to...
In order to further our understanding about the limits of human consciousness and the dream state, w...