It is without question that the Holocaust is one of the most horrific events of the twentieth century. While it might be difficult and emotional to think about such a terrible time in history, it is imperative that we do not forget. We must remember for the sake of preventing something like this from happening again. Memory is becoming more and more difficult as the years go by—those who witnessed the atrocities of the Holocaust and of the Nazi regime are getting fewer and fewer. It is becoming increasingly important that the survivors' stories get passed on before it is too late. One way in which this can be done is through artwork. I have examined four individuals and/or groups who were directly or indirectly affected by the Holocaust. Th...
The mid-2000s brought rise to significant shifts in the field of trauma studies, most notably the su...
At a moment in time when the last of the Holocaust survivors will soon no longer be able to give the...
In my dissertation I concentrate on three modes of representation---poetry, painting and architectur...
It is without question that the Holocaust is one of the most horrific events of the twentieth centur...
The thesis investigates how to effectively address (through visual art) events of war and traumatic ...
I always found great interest in learning about the Holocaust and how it has affected society even t...
This thesis explores chronologically the art, commemoration and memorialisation of the Nazi concentr...
The author discusses the artist’s need to create work representative of his memories of five years i...
Dry tears. The memory of Shoah in contemporary artThe smoke stacks of Auschwitz have changed our pe...
My article deals with the aesthetic and philosophical choices I made in the creation of Holocaust Po...
This research documentation explores representations of the Holocaust in the visual arts in relation...
Includes bibliographical references (pages 15-16)Beyond ghettos, death camps, mass graves, gas chamb...
Terezin, located in what is now called Prague, Czechoslovakia, functioned as a Holocaust ghetto for ...
This dissertation is a study of five second-generation German visual artists (i.e., artists born bet...
Evoking Genocide compiles more than sixty short essays written by leading scholars and activists in ...
The mid-2000s brought rise to significant shifts in the field of trauma studies, most notably the su...
At a moment in time when the last of the Holocaust survivors will soon no longer be able to give the...
In my dissertation I concentrate on three modes of representation---poetry, painting and architectur...
It is without question that the Holocaust is one of the most horrific events of the twentieth centur...
The thesis investigates how to effectively address (through visual art) events of war and traumatic ...
I always found great interest in learning about the Holocaust and how it has affected society even t...
This thesis explores chronologically the art, commemoration and memorialisation of the Nazi concentr...
The author discusses the artist’s need to create work representative of his memories of five years i...
Dry tears. The memory of Shoah in contemporary artThe smoke stacks of Auschwitz have changed our pe...
My article deals with the aesthetic and philosophical choices I made in the creation of Holocaust Po...
This research documentation explores representations of the Holocaust in the visual arts in relation...
Includes bibliographical references (pages 15-16)Beyond ghettos, death camps, mass graves, gas chamb...
Terezin, located in what is now called Prague, Czechoslovakia, functioned as a Holocaust ghetto for ...
This dissertation is a study of five second-generation German visual artists (i.e., artists born bet...
Evoking Genocide compiles more than sixty short essays written by leading scholars and activists in ...
The mid-2000s brought rise to significant shifts in the field of trauma studies, most notably the su...
At a moment in time when the last of the Holocaust survivors will soon no longer be able to give the...
In my dissertation I concentrate on three modes of representation---poetry, painting and architectur...