Giacomo Puccini’s Suor Angelica has often been described as “lacking.” However, the lack of recognition the opera has received may be due to the societal issues surrounding its premiere in both America and Italy, and a misunderstanding of the composer’s goals for the piece. This study focuses on a number of different areas including Puccini’s reputation, the reception of Suor Angelica, the music and the background of the opera. This study concludes that Suor Angelica is musically equal to Puccini’s other operas, and that any negative response has been due to other issues such as sexism and a misinterpretation of the composer’s intentions, and not because of a lack of musical varietySchool of MusicThesis (M.M.
Matthew Bouchard, MUS303: Music History 2Faculty Mentor(s): Professor Carolyn Guzski, Music Giacomo...
The 2016 SNC Opera Workshop features the second opera of a trio that includes Il Tabarro (The Cloak)...
Masteroppgave i utøvende musikk, klassisk- Universitet i Agder 2011Challenges in performing Puccini`...
Thesis (D. Mus. Arts)--University of Washington, 2007.This study's objective was to organize and pre...
Dr Alexandra Wilson’s research on the reception of Puccini’s operas was disseminated to a large non-...
abstract: The focus of this in-depth study is to look at the gestation, performance history, and rec...
Operatic music is a hybrid: it is constructed neither according to purely musical nor to purely repr...
Operatic music is a hybrid: it is constructed neither according to purely musical nor to purely repr...
The songs of Puccini provide another approach to understanding the composer's musical development. T...
Scholarship on the operas of Giacomo Puccini (1858–1924) has focused on one type of female character...
Scholarship on the operas of Giacomo Puccini (1858–1924) has focused on one type of female character...
Through a comparative study of Puccini’s opera, La Bohème, and the literary script, Murger’s novel, ...
Alison Cleary, MUS 303: Music History 2 Faculty Mentor: Professor Carolyn Guzski, Music My project ...
The 2016 SNC Opera Workshop features the second opera of a trio that includes Il Tabarro (The Cloak)...
The 2016 SNC Opera Workshop features the second opera of a trio that includes Il Tabarro (The Cloak)...
Matthew Bouchard, MUS303: Music History 2Faculty Mentor(s): Professor Carolyn Guzski, Music Giacomo...
The 2016 SNC Opera Workshop features the second opera of a trio that includes Il Tabarro (The Cloak)...
Masteroppgave i utøvende musikk, klassisk- Universitet i Agder 2011Challenges in performing Puccini`...
Thesis (D. Mus. Arts)--University of Washington, 2007.This study's objective was to organize and pre...
Dr Alexandra Wilson’s research on the reception of Puccini’s operas was disseminated to a large non-...
abstract: The focus of this in-depth study is to look at the gestation, performance history, and rec...
Operatic music is a hybrid: it is constructed neither according to purely musical nor to purely repr...
Operatic music is a hybrid: it is constructed neither according to purely musical nor to purely repr...
The songs of Puccini provide another approach to understanding the composer's musical development. T...
Scholarship on the operas of Giacomo Puccini (1858–1924) has focused on one type of female character...
Scholarship on the operas of Giacomo Puccini (1858–1924) has focused on one type of female character...
Through a comparative study of Puccini’s opera, La Bohème, and the literary script, Murger’s novel, ...
Alison Cleary, MUS 303: Music History 2 Faculty Mentor: Professor Carolyn Guzski, Music My project ...
The 2016 SNC Opera Workshop features the second opera of a trio that includes Il Tabarro (The Cloak)...
The 2016 SNC Opera Workshop features the second opera of a trio that includes Il Tabarro (The Cloak)...
Matthew Bouchard, MUS303: Music History 2Faculty Mentor(s): Professor Carolyn Guzski, Music Giacomo...
The 2016 SNC Opera Workshop features the second opera of a trio that includes Il Tabarro (The Cloak)...
Masteroppgave i utøvende musikk, klassisk- Universitet i Agder 2011Challenges in performing Puccini`...