" For their exhibition entitled Look, it’s daybreak, dear, time to sing, Canadian artist duo Richard Ibghy and Marilou Lemmens present works that explore points of contact between birds and humans in an effort to expand the meaning of hospitality, care, communication, and attentiveness between species. Comprised of interrelated bodies of sculptural and video work, the show pays particular attention to human coexistence with nature here in the Great Plains and asks us to expand our ability to imagine and build shared worlds for generations of avians, humans, and a host of other species. " -- Publisher's website
The photographic work You Must Carry Me Now is a component of the recent US exhibition by Snæbjörnsd...
The photographic work You Must Carry Me Now is a component of the recent US exhibition by Snæbjörnsd...
In an age of uncertainty, artists Bryndís Snæbjörnsdóttir (Iceland) and Mark Wilson (UK) investigate...
" For their exhibition entitled Look, it’s daybreak, dear, time to sing, Canadian artist duo Richard...
" For their exhibition entitled Look, it’s daybreak, dear, time to sing, Canadian artist duo Richard...
" For their exhibition entitled Look, it’s daybreak, dear, time to sing, Canadian artist duo Richard...
Work in exhibition Birdbrain looks at our relationship with urban crows/corvids and seagulls and ...
"I thought I heard a bird" was curated by Raquel Ormella at Craft ACT. The works in I thought I hear...
Intro to performance 7th International conference on Knowledge and power FREE like BIRDS (?) i...
The new Attenborough Arts Centre in Leicester inaugurates with a solo exhibition of the work of Lucy...
Bryndís Snæbjörnsdóttir and Mark Wilson’s research-based practice explores contemporary relationship...
Bryndís Snæbjörnsdóttir and Mark Wilson’s research-based practice explores contemporary relationship...
Bryndís Snæbjörnsdóttir and Mark Wilson’s research-based practice explores contemporary relationship...
This book features a series of miniature drawings of North American birds by Susan Hagen and include...
The photographic work You Must Carry Me Now is a component of the recent US exhibition by Snæbjörnsd...
The photographic work You Must Carry Me Now is a component of the recent US exhibition by Snæbjörnsd...
The photographic work You Must Carry Me Now is a component of the recent US exhibition by Snæbjörnsd...
In an age of uncertainty, artists Bryndís Snæbjörnsdóttir (Iceland) and Mark Wilson (UK) investigate...
" For their exhibition entitled Look, it’s daybreak, dear, time to sing, Canadian artist duo Richard...
" For their exhibition entitled Look, it’s daybreak, dear, time to sing, Canadian artist duo Richard...
" For their exhibition entitled Look, it’s daybreak, dear, time to sing, Canadian artist duo Richard...
Work in exhibition Birdbrain looks at our relationship with urban crows/corvids and seagulls and ...
"I thought I heard a bird" was curated by Raquel Ormella at Craft ACT. The works in I thought I hear...
Intro to performance 7th International conference on Knowledge and power FREE like BIRDS (?) i...
The new Attenborough Arts Centre in Leicester inaugurates with a solo exhibition of the work of Lucy...
Bryndís Snæbjörnsdóttir and Mark Wilson’s research-based practice explores contemporary relationship...
Bryndís Snæbjörnsdóttir and Mark Wilson’s research-based practice explores contemporary relationship...
Bryndís Snæbjörnsdóttir and Mark Wilson’s research-based practice explores contemporary relationship...
This book features a series of miniature drawings of North American birds by Susan Hagen and include...
The photographic work You Must Carry Me Now is a component of the recent US exhibition by Snæbjörnsd...
The photographic work You Must Carry Me Now is a component of the recent US exhibition by Snæbjörnsd...
The photographic work You Must Carry Me Now is a component of the recent US exhibition by Snæbjörnsd...
In an age of uncertainty, artists Bryndís Snæbjörnsdóttir (Iceland) and Mark Wilson (UK) investigate...