Add to ORKG" Sorel Cohen made her mark on Montreal’s art scene beginning in the 1970s with her feminist and conceptual approach to photography. This book provides an opportunity to look back on some of Cohen’s major works in conjunction with the retrospective exhibition held by VOX, centre de l’image contemporaine in 2021–22. " -- Publisher's website
This book aims to examine key themes and issues relevant to the artist’s work. Written from diverse...
Kivland's artist's book 'Flair' (Domo Baal editions), in the collection of the Centre Georges Pompid...
A special edition of Parachute magazine to coincide with the presentation of the narrative images of...
Godmer examines Cohen's photographic work from 1983 to 1986, analyzing its references to the stereot...
Sloan examines Cohen's photographic work derived from paintings by Degas and comments on the artist'...
Wajcman examines Cohen’s photographs of beds and couches from a psychoanalytic perspective and under...
Beck analyses Cohen's positioning of herself as painter, model, spectator and photographer in her po...
Swain discusses Cohen's work and her formal concerns in relation to the terms "woman", "mother", and...
"Bringing together an important body of work produced between 1970 and the present, this publication...
This thesis develops a reading of feminist art in Quebec that demonstrates the way that it emerged a...
The Exhibition included 2 photographic works by Shemilt.Feminist Avant–Garde of the 1970s, an expans...
In an effort to characterize expressions of contemporary feminism, the authors present essays, proje...
During a stay in Paris, Sorel Cohen set up her camera in different psychoanalysts' offices. The resu...
For more than three decades, Lynne Cohen has photographed unpeopled, semi-public institutional and c...
A publication produced in the context of La Centrale’s 25th anniversary. It contains curatorial text...
This book aims to examine key themes and issues relevant to the artist’s work. Written from diverse...
Kivland's artist's book 'Flair' (Domo Baal editions), in the collection of the Centre Georges Pompid...
A special edition of Parachute magazine to coincide with the presentation of the narrative images of...
Godmer examines Cohen's photographic work from 1983 to 1986, analyzing its references to the stereot...
Sloan examines Cohen's photographic work derived from paintings by Degas and comments on the artist'...
Wajcman examines Cohen’s photographs of beds and couches from a psychoanalytic perspective and under...
Beck analyses Cohen's positioning of herself as painter, model, spectator and photographer in her po...
Swain discusses Cohen's work and her formal concerns in relation to the terms "woman", "mother", and...
"Bringing together an important body of work produced between 1970 and the present, this publication...
This thesis develops a reading of feminist art in Quebec that demonstrates the way that it emerged a...
The Exhibition included 2 photographic works by Shemilt.Feminist Avant–Garde of the 1970s, an expans...
In an effort to characterize expressions of contemporary feminism, the authors present essays, proje...
During a stay in Paris, Sorel Cohen set up her camera in different psychoanalysts' offices. The resu...
For more than three decades, Lynne Cohen has photographed unpeopled, semi-public institutional and c...
A publication produced in the context of La Centrale’s 25th anniversary. It contains curatorial text...
This book aims to examine key themes and issues relevant to the artist’s work. Written from diverse...
Kivland's artist's book 'Flair' (Domo Baal editions), in the collection of the Centre Georges Pompid...
A special edition of Parachute magazine to coincide with the presentation of the narrative images of...