Add to ORKGA paper presented at the Pan-Orthodox Music Symposium in Minneapolis (USA) on 22-26 June, 2016
Research on contemporary Orthodox church music has shown that there is a number of specifi...
Ancient Greek music theory comprises a large body of speculations which are not necessarily related ...
Chants represent strictly religious art. Church songs are holy treasures of the Georgian people. The...
When I walk into my Greek Orthodox Church on any given Sunday service, I am greeted by the sound of ...
Like the titles of other conference papers, this one should express the kernel of the paper; however...
There is hardly any relevant musicological and theological literature regarding the content and mean...
There is hardly any relevant musicological and theological literature regarding the content and mean...
This paper attempts to highlight the significant role of Constantinopolitan chanters in the developm...
In the Serbian traditional liturgical music, great chant is the term which appeared in the 19th cent...
A paper presented at the Pan-Orthodox Music Symposium in Minneapolis (USA) on 22-26 June, 2016
Sacred Byzantine music originates from three sources: “the liturgy of heaven”, synagogue music as we...
The present contribution discusses Byzantine monastic foundation documents, dating from the ninth to...
It is only recently that the attention of musicologists has been directed to the study of Eastern ch...
The article examines the specific phenomenon of the return of Serbian Orthodox Church music to Byzan...
A paper presented at the Pan-Orthodox Music Symposium in Minneapolis (USA) on 22-26 June, 2016
Research on contemporary Orthodox church music has shown that there is a number of specifi...
Ancient Greek music theory comprises a large body of speculations which are not necessarily related ...
Chants represent strictly religious art. Church songs are holy treasures of the Georgian people. The...
When I walk into my Greek Orthodox Church on any given Sunday service, I am greeted by the sound of ...
Like the titles of other conference papers, this one should express the kernel of the paper; however...
There is hardly any relevant musicological and theological literature regarding the content and mean...
There is hardly any relevant musicological and theological literature regarding the content and mean...
This paper attempts to highlight the significant role of Constantinopolitan chanters in the developm...
In the Serbian traditional liturgical music, great chant is the term which appeared in the 19th cent...
A paper presented at the Pan-Orthodox Music Symposium in Minneapolis (USA) on 22-26 June, 2016
Sacred Byzantine music originates from three sources: “the liturgy of heaven”, synagogue music as we...
The present contribution discusses Byzantine monastic foundation documents, dating from the ninth to...
It is only recently that the attention of musicologists has been directed to the study of Eastern ch...
The article examines the specific phenomenon of the return of Serbian Orthodox Church music to Byzan...
A paper presented at the Pan-Orthodox Music Symposium in Minneapolis (USA) on 22-26 June, 2016
Research on contemporary Orthodox church music has shown that there is a number of specifi...
Ancient Greek music theory comprises a large body of speculations which are not necessarily related ...
Chants represent strictly religious art. Church songs are holy treasures of the Georgian people. The...