Add to ORKGIn this paper I argue that recent attempts at explaining aesthetic ineffability have been unsuccessful. Either they misrepresent what aesthetic ineffability consists in, or they leave important aspects of it unexplained. I then show how a more satisfying account might be developed, once a distinction is made between two kinds of awareness
Disagreement persists concerning whether aesthetic properties supervene on non-aesthetic properties....
Among recent attempts to define aesthetic experience, the one advanced by Georg Bertram in his paper...
The aesthetic appreciation of an object is fundamentally an appreciation of certain of its propertie...
So many artists, aestheticians and audiences are committed to the idea that nonverbal art is ineffab...
Abstract- So many artists, aestheticians and audiences are committed to the idea that nonverbal art ...
This essay provides an overview of the ways in which contemporary philosophers have tried to make se...
This chapter examines whether there are genuine cases of aesthetic perception, and hence whether aes...
Both common sense and dominant traditions in art criticism and philosophical aesthetics have it that...
In this paper I focus on the topic of reproducibility (and irreproducibility) of aesthetic experienc...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
Delicacy, vibrancy, garishness, and other aesthetic properties feature prominently in our aesthetic ...
My point of departure in this chapter is a claim about aesthetic properties that seems hard to deny ...
The aim of this paper is to give a new account of the way we exercise our attention in some paradigm...
It is commonplace amongst philosophers of art to make claims which postulate important links between...
This peer-reviewed paper investigates the dominant underlying approach to aesthetic experience and c...
Disagreement persists concerning whether aesthetic properties supervene on non-aesthetic properties....
Among recent attempts to define aesthetic experience, the one advanced by Georg Bertram in his paper...
The aesthetic appreciation of an object is fundamentally an appreciation of certain of its propertie...
So many artists, aestheticians and audiences are committed to the idea that nonverbal art is ineffab...
Abstract- So many artists, aestheticians and audiences are committed to the idea that nonverbal art ...
This essay provides an overview of the ways in which contemporary philosophers have tried to make se...
This chapter examines whether there are genuine cases of aesthetic perception, and hence whether aes...
Both common sense and dominant traditions in art criticism and philosophical aesthetics have it that...
In this paper I focus on the topic of reproducibility (and irreproducibility) of aesthetic experienc...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
Delicacy, vibrancy, garishness, and other aesthetic properties feature prominently in our aesthetic ...
My point of departure in this chapter is a claim about aesthetic properties that seems hard to deny ...
The aim of this paper is to give a new account of the way we exercise our attention in some paradigm...
It is commonplace amongst philosophers of art to make claims which postulate important links between...
This peer-reviewed paper investigates the dominant underlying approach to aesthetic experience and c...
Disagreement persists concerning whether aesthetic properties supervene on non-aesthetic properties....
Among recent attempts to define aesthetic experience, the one advanced by Georg Bertram in his paper...
The aesthetic appreciation of an object is fundamentally an appreciation of certain of its propertie...