A response to Melissa Raphael’s article ‘The creation of beauty by its destruction: the idoloclastic aesthetic in modern and contemporary Jewish art’. Key themes discussed include the notion of human beings as created in the image of God, Levinas’s understanding of the face and its ethical demand as well as the contemporary issue of the commodification of the human face in digital media
Submitted by Patricia Barros (patricia.barros@ufes.br) on 2011-02-03T19:26:19Z No. of bitstreams: 2...
This paper is one of the winners of the “Hall of Frame ” award given by Professor John Frame at Refo...
The article outlines what is required for a theory of art in the late work of Max Raphael, by showin...
A response to Melissa Raphael’s article ‘The creation of beauty by its destruction: the idoloclastic...
Melissa Rachel Raphael, University of Gloucestershire and Leo Baeck College, London Melissa Raphael...
Contemporary commentators are well aware that the Jewish tradition is not an aniconic one. Far fro...
The widespread assumption that Jewish religious tradition is mediated through words, not pictures, h...
CITATION: Claassens, L. J. M. 2010. Resisting dehumanization : acts of relational care in Exodus 1-2...
Grimm argues for a more accessible theology and metaphor for God. She looks to Melissa Raphael\u27s ...
This is a pre-copyedited, author-produced PDF of an article accepted for publication in Literature a...
Excerpt: Beauty as a concept has given twentieth century writers, especially art critics and art hi...
The Second Commandment, prohibiting both the worship and manufacture of graven images, is often empl...
This article details the author’s experience introducing Melissa Raphael’s 2003 book, The Female Fac...
The natural world exhibits God’s artistic nature. Though God designed and appointed the great beauty...
The central argument running through this project is that, if re-imagined in light of a Christian t...
Submitted by Patricia Barros (patricia.barros@ufes.br) on 2011-02-03T19:26:19Z No. of bitstreams: 2...
This paper is one of the winners of the “Hall of Frame ” award given by Professor John Frame at Refo...
The article outlines what is required for a theory of art in the late work of Max Raphael, by showin...
A response to Melissa Raphael’s article ‘The creation of beauty by its destruction: the idoloclastic...
Melissa Rachel Raphael, University of Gloucestershire and Leo Baeck College, London Melissa Raphael...
Contemporary commentators are well aware that the Jewish tradition is not an aniconic one. Far fro...
The widespread assumption that Jewish religious tradition is mediated through words, not pictures, h...
CITATION: Claassens, L. J. M. 2010. Resisting dehumanization : acts of relational care in Exodus 1-2...
Grimm argues for a more accessible theology and metaphor for God. She looks to Melissa Raphael\u27s ...
This is a pre-copyedited, author-produced PDF of an article accepted for publication in Literature a...
Excerpt: Beauty as a concept has given twentieth century writers, especially art critics and art hi...
The Second Commandment, prohibiting both the worship and manufacture of graven images, is often empl...
This article details the author’s experience introducing Melissa Raphael’s 2003 book, The Female Fac...
The natural world exhibits God’s artistic nature. Though God designed and appointed the great beauty...
The central argument running through this project is that, if re-imagined in light of a Christian t...
Submitted by Patricia Barros (patricia.barros@ufes.br) on 2011-02-03T19:26:19Z No. of bitstreams: 2...
This paper is one of the winners of the “Hall of Frame ” award given by Professor John Frame at Refo...
The article outlines what is required for a theory of art in the late work of Max Raphael, by showin...
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