In this study we focus on three historical concepts of using of mathematical approach to beauty and aesthetic (taste) standard of mathematical thinking in early formation of modern aesthetics of the eighteenth century. The first is Hume’s idea of statistical standardization and the significance of rareness and excellence, as a desire for specific positive deviation. Second model of aesthetic thinking is Reid’s aesthetic realism. In this theory of taste and art the attention is paid to the study of the parameters and attributes of objects, as well as to the fact that a beautiful object contains cognitively significant information. Those who perceive it are, or should be, able to deal with and understand this information. Important part of th...
Scientific discoveries of neuroscience are apparently explaining all the mysteries of the human brai...
In this article, our aim is to give an account of Hume’s way of establishing the conformity betweeno...
At the beginning of the Analytic of the Beautiful, Kant distinguishes aesthetic judgments from cogni...
In this study we focus on three historical concepts of using of mathematical approach to beauty and ...
The theory of aesthetic and beauty is very old. It includes taste and principles of pleasure and dis...
Perception of (facial or bodily) beauty has long been debated amongst philosophers, artists, psychol...
This article focuses on the question of whether the latest results achieved in sciences such as evol...
The subjective nature of aesthetic experience and the different aesthetic evaluation of the same imp...
This is an 18,500 word bibliography of philosophical scholarship on Beauty which was published onlin...
In this article, our aim is to give an account of Hume’s way of establishing the conformity between ...
It is a common thought that mathematics can be not only true but also beautiful, and many of the gre...
In the Critique of the Power of Judgment, Kant introduces the notion of the reflective jud...
Many philosophers, including Plato, Aristotle, Kant, and Hegel, gave normative definitions of beauty...
The Pythagorean tradition dominates the understanding of beauty up until the end of the 18th Century...
At the beginning of modern times, taste was seen as a sort of sense of sociability, indistinctly mor...
Scientific discoveries of neuroscience are apparently explaining all the mysteries of the human brai...
In this article, our aim is to give an account of Hume’s way of establishing the conformity betweeno...
At the beginning of the Analytic of the Beautiful, Kant distinguishes aesthetic judgments from cogni...
In this study we focus on three historical concepts of using of mathematical approach to beauty and ...
The theory of aesthetic and beauty is very old. It includes taste and principles of pleasure and dis...
Perception of (facial or bodily) beauty has long been debated amongst philosophers, artists, psychol...
This article focuses on the question of whether the latest results achieved in sciences such as evol...
The subjective nature of aesthetic experience and the different aesthetic evaluation of the same imp...
This is an 18,500 word bibliography of philosophical scholarship on Beauty which was published onlin...
In this article, our aim is to give an account of Hume’s way of establishing the conformity between ...
It is a common thought that mathematics can be not only true but also beautiful, and many of the gre...
In the Critique of the Power of Judgment, Kant introduces the notion of the reflective jud...
Many philosophers, including Plato, Aristotle, Kant, and Hegel, gave normative definitions of beauty...
The Pythagorean tradition dominates the understanding of beauty up until the end of the 18th Century...
At the beginning of modern times, taste was seen as a sort of sense of sociability, indistinctly mor...
Scientific discoveries of neuroscience are apparently explaining all the mysteries of the human brai...
In this article, our aim is to give an account of Hume’s way of establishing the conformity betweeno...
At the beginning of the Analytic of the Beautiful, Kant distinguishes aesthetic judgments from cogni...