Depicting the Anthropocene is a fraught endeavor, as visual documentation often falls back on an illustrative mode that attempts to encapsulate the immensity of climate change in a single snapshot. Similarly, even the term Anthropocene is contested territory, as it is arguably too myopic to account for the full range of activities occurring in our present moment of ecological crisis. Pointing to the need to decenter humans and engage with the emergent, multilayered entanglements that compose our world, Donna Haraway proposes the “Chthulucene” as a more fitting conceptualization of our current epoch. In this paper, I argue that visual culture originating from a Chthulucenic perspective provides an opportunity to transcend the crushing anthro...