[Anita Desai, in this testimony describes the act of writing in English for a non-native speaker. She has been writing in English since she was seven and had she written in her parents\u27 languages, she would have had to write in Bengali and German. The idea of an Indian writing in English is discouraged by both Indian critics and English ones. Indian critics tend to oppose the idea completely and English critics tend to dismiss it or look lightly at it. Anita Desai does not attempt to describe the mechanics of writing itself because she feels that by uncovering them one commits an act of violence towards writing. It is a delicate and frail act that should be kept secret so as not to destroy it. Writing involves instinct and the subconscio...
Shashi Deshpande, Anita Desai and Bharati Mukherjee are contemporary Indian English Writers. They ha...
Shashi Deshpande, Anita Desai and Bharati Mukherjee are contemporary Indian English Writers. They ha...
There is also the problem of confidence for young writers, who could hardly see the value of their w...
[Anita Desai, in this testimony describes the act of writing in English for a non-native speaker. Sh...
Anita Desai is a dominant figure in the twentieth century Indo-Anglian fiction. Born to a German mot...
Shashi Tharoor criticizes R.K. Narayan for ignoring the English canon and for reading like a transla...
I speak three languages, write in two, dream in one Do not write in English, they said English is no...
Mahesh Dattani is credited with giving visibility to ‘invisible issues’, long hidden in closet andta...
Indian Writing in English (IWE) refers to the body of literary works written by Indian authors in th...
Indian women writing in English is being perceived as significant contemporary current in English di...
\u27Where do we belong?\u27 is not a question that necessarily troubles a writer greatly; 1t is enou...
The language of English was indivisible concerning an India which had almost 23 authority provincial...
The great Indian writers have made their mark in the pre independence, post-independence and modern ...
The Thematic and Structural Manifestation of Kathakalī in Anita Nair’s Mistress: A Stud
Shashi Deshpande was born in 1938 in Karnataka. She and her husband now live in Bangalore, a thrivin...
Shashi Deshpande, Anita Desai and Bharati Mukherjee are contemporary Indian English Writers. They ha...
Shashi Deshpande, Anita Desai and Bharati Mukherjee are contemporary Indian English Writers. They ha...
There is also the problem of confidence for young writers, who could hardly see the value of their w...
[Anita Desai, in this testimony describes the act of writing in English for a non-native speaker. Sh...
Anita Desai is a dominant figure in the twentieth century Indo-Anglian fiction. Born to a German mot...
Shashi Tharoor criticizes R.K. Narayan for ignoring the English canon and for reading like a transla...
I speak three languages, write in two, dream in one Do not write in English, they said English is no...
Mahesh Dattani is credited with giving visibility to ‘invisible issues’, long hidden in closet andta...
Indian Writing in English (IWE) refers to the body of literary works written by Indian authors in th...
Indian women writing in English is being perceived as significant contemporary current in English di...
\u27Where do we belong?\u27 is not a question that necessarily troubles a writer greatly; 1t is enou...
The language of English was indivisible concerning an India which had almost 23 authority provincial...
The great Indian writers have made their mark in the pre independence, post-independence and modern ...
The Thematic and Structural Manifestation of Kathakalī in Anita Nair’s Mistress: A Stud
Shashi Deshpande was born in 1938 in Karnataka. She and her husband now live in Bangalore, a thrivin...
Shashi Deshpande, Anita Desai and Bharati Mukherjee are contemporary Indian English Writers. They ha...
Shashi Deshpande, Anita Desai and Bharati Mukherjee are contemporary Indian English Writers. They ha...
There is also the problem of confidence for young writers, who could hardly see the value of their w...