Hyperreal architectural photographic assemblages proliferate within contemporary media: artists, photographers and architects envision digital worlds that operate at the intersection of hyperreal architectural renders, artistic media and photography. The manifestation of these assemblages can be examined in the works of French artist Zacharie Gaudrillot-Roy (1986–), and Canadian artists Carl Zimmerman (1951–) and David Trautrimas. Gaudrillot-Roy’s assemblages from the series Façades #3 interrogate the notion of architectural form, how buildings impose and connect with their environments. The photographs present the buildings in a superficially twilight aesthetic; the viewer’s immediate glance registers a possible reality, but a second g...