Add to ORKGA seminar and workshop developed as part of What is a Living Archive? Curating the Unruly Materiality of Contemporary Art. Co-convened by Dr Judit Bodor, Principal Investigator of Curating Living Archives, with Prof Heike Roms, Professor in Theatre and Performance at the University of Exeter, and with contribution from artists Prof Elaine Shemilt and Kevin Atherton. It explored how oral history conversations and artists’ interviews can be used as curatorial tools with which to re-activate artworks, especially those of multimedia performance and new media art
Excavating the Archive focuses on the documentation of live art through interviews with artists and ...
This paper presents a current research project that attempted to approach the history of performance...
INTRODUCTION Now in its sixth year, the Contemporary Art Society’s Annual Conference brings toget...
A seminar and workshop developed as part of What is a Living Archive? Curating the Unruly Materialit...
A Royal Society of Edinburgh-funded Arts and Humanities Research Workshop Award delivered between De...
Just as archival practice shapes our engagement with and understanding of cultural histories, the ‘u...
Traditionally, the curator has been affiliated to the modern museum as the persona who manages an ar...
How do curation and conservation intersect when it comes to the presentation of post-1960s time-base...
A four-hour workshop and seminar convened by Judit Bodor, Principal Investigator of the research pro...
Over the last decade, the term 'lecture-performance' has come to circulate widely in contemporary ar...
This article explores the creative uses of oral history beyond the archive. How does the artistic fr...
Can performance art be conserved – and if so, how? At this colloquium, Performance Conservation: Art...
"Performing Archives/Archives of Performance contributes to the ongoing critical discussions of perf...
Live performance lacks the durability of art practices such as photography, film and painting, and s...
Through a wide range of case studies from international scholars and practitioners across a variety ...
Excavating the Archive focuses on the documentation of live art through interviews with artists and ...
This paper presents a current research project that attempted to approach the history of performance...
INTRODUCTION Now in its sixth year, the Contemporary Art Society’s Annual Conference brings toget...
A seminar and workshop developed as part of What is a Living Archive? Curating the Unruly Materialit...
A Royal Society of Edinburgh-funded Arts and Humanities Research Workshop Award delivered between De...
Just as archival practice shapes our engagement with and understanding of cultural histories, the ‘u...
Traditionally, the curator has been affiliated to the modern museum as the persona who manages an ar...
How do curation and conservation intersect when it comes to the presentation of post-1960s time-base...
A four-hour workshop and seminar convened by Judit Bodor, Principal Investigator of the research pro...
Over the last decade, the term 'lecture-performance' has come to circulate widely in contemporary ar...
This article explores the creative uses of oral history beyond the archive. How does the artistic fr...
Can performance art be conserved – and if so, how? At this colloquium, Performance Conservation: Art...
"Performing Archives/Archives of Performance contributes to the ongoing critical discussions of perf...
Live performance lacks the durability of art practices such as photography, film and painting, and s...
Through a wide range of case studies from international scholars and practitioners across a variety ...
Excavating the Archive focuses on the documentation of live art through interviews with artists and ...
This paper presents a current research project that attempted to approach the history of performance...
INTRODUCTION Now in its sixth year, the Contemporary Art Society’s Annual Conference brings toget...