The conference aims to explore the notion of embodied drawing. By embodied drawing we suggest that ‘embodied’ could be synonymous with the act of drawing, that drawing is an act of embodiment. As such, the making of a mark expands to become an act of mediation. Yet if all bodies are mediat(ing)ed, they too mark the skins and surfaces of other bodies in the briefest immediacies – in traces of gesture, events, at and through the borderline. A curious folding of/with materiality – a drawing. And as drawing expands there come lines of flight and queer becomings: of further technological mediations, prostheses, computer augmented realities, boundary-making practices that offer up new forms of embodiment, of bodies yet to be named, without outlin...
This article takes the question ‘why drawing, now?’ as a speculative way to enter the debate on the ...
Designing architecture is a corporeally-grounded practice of making drawings that augur future const...
Drawing can articulate our relationship to space and location, and the experiential act of drawing i...
The conference aims to explore the notion of embodied drawing. By embodied drawing we suggest that ‘...
This paper develops one aspect of my PhD thesis. The research project, which I briefly summarise, is...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
This text will aim to propose drawing is the meeting of thinking and performativity, akin to a pheno...
The aim of this paper is to explore the nature of the drawn image as a visual and imaginative activa...
Drawing, if it explores rather than defines, has the capacity to unlock the subconscious. It i...
This visual paper tells on the experience of drawing and how its skills translate into technologies ...
The Common Gesture collaborative drawings are created through a series of directives that cultivate ...
"Where is your authentic body? You are the only one who can never see yourself except as an image; y...
In this paper titled, Body Talk: the phenomenology of mark making, I theoretically unravel the pheno...
This book builds upon the strengths of our first edited edition Collective and Collaborative Drawing...
This article takes the question ‘why drawing, now?’ as a speculative way to enter the debate on the ...
Designing architecture is a corporeally-grounded practice of making drawings that augur future const...
Drawing can articulate our relationship to space and location, and the experiential act of drawing i...
The conference aims to explore the notion of embodied drawing. By embodied drawing we suggest that ‘...
This paper develops one aspect of my PhD thesis. The research project, which I briefly summarise, is...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
This text will aim to propose drawing is the meeting of thinking and performativity, akin to a pheno...
The aim of this paper is to explore the nature of the drawn image as a visual and imaginative activa...
Drawing, if it explores rather than defines, has the capacity to unlock the subconscious. It i...
This visual paper tells on the experience of drawing and how its skills translate into technologies ...
The Common Gesture collaborative drawings are created through a series of directives that cultivate ...
"Where is your authentic body? You are the only one who can never see yourself except as an image; y...
In this paper titled, Body Talk: the phenomenology of mark making, I theoretically unravel the pheno...
This book builds upon the strengths of our first edited edition Collective and Collaborative Drawing...
This article takes the question ‘why drawing, now?’ as a speculative way to enter the debate on the ...
Designing architecture is a corporeally-grounded practice of making drawings that augur future const...
Drawing can articulate our relationship to space and location, and the experiential act of drawing i...