Add to ORKGThe chapter explores how an absolute attention to vision and perception connects writer and dramatist Samuel Beckett and sculptor Alberto Giacometti, evident in the taut attenuated figures that people their work, in the constrained spaces that contain their subjects, and in the uncompromising directness of their engagement with us, the viewer
Seeing is not only imagining. Barthes, Beckett and Guibert use this difference as a force of fiction...
Giacometti’s work is not comforting. Whether it is seen as driven by abandonment of faith in history...
Emeritus Professor John Fletcher has compiled a thorough and accessible volume that explains why Bec...
L’étude de la correspondance de Samuel Beckett apporte un éclairage inédit sur l’oeuvre d’un auteur ...
This paper is a study over the sculptures and paintings of the swiss artist Alberto Giacometti after...
In this chapter I will examine aspects of the nature of the intellectual exchange between Samuel Bec...
The complex zone of what I refer to as the aesthetical absurd is examined in the works of Modernists...
In the light of Beckett’s passion for and his competence in the field of the visual arts, the essay ...
Samuel Beckett once wrote that were he in the ‘unfortunate position’ of a critic studying his work, ...
This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary ar...
In the plays of Samuel Beckett, Sam Shepard, and Harold Pinter, vision takes a central place in defi...
Que signifie voir ? et en quoi l’étude d’une œuvre artistique favoriserait-elle l’examen philosophiq...
Throughout his writing Samuel Beckett demonstrated a great affinity with the visual image and a perc...
a comparison of two masters of the European Contemporary Theatre, focussing on their work with metat...
This thesis focuses on three plays written by Samuel Beckett: Play, Not I and Footfalls. Corporealit...
Seeing is not only imagining. Barthes, Beckett and Guibert use this difference as a force of fiction...
Giacometti’s work is not comforting. Whether it is seen as driven by abandonment of faith in history...
Emeritus Professor John Fletcher has compiled a thorough and accessible volume that explains why Bec...
L’étude de la correspondance de Samuel Beckett apporte un éclairage inédit sur l’oeuvre d’un auteur ...
This paper is a study over the sculptures and paintings of the swiss artist Alberto Giacometti after...
In this chapter I will examine aspects of the nature of the intellectual exchange between Samuel Bec...
The complex zone of what I refer to as the aesthetical absurd is examined in the works of Modernists...
In the light of Beckett’s passion for and his competence in the field of the visual arts, the essay ...
Samuel Beckett once wrote that were he in the ‘unfortunate position’ of a critic studying his work, ...
This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary ar...
In the plays of Samuel Beckett, Sam Shepard, and Harold Pinter, vision takes a central place in defi...
Que signifie voir ? et en quoi l’étude d’une œuvre artistique favoriserait-elle l’examen philosophiq...
Throughout his writing Samuel Beckett demonstrated a great affinity with the visual image and a perc...
a comparison of two masters of the European Contemporary Theatre, focussing on their work with metat...
This thesis focuses on three plays written by Samuel Beckett: Play, Not I and Footfalls. Corporealit...
Seeing is not only imagining. Barthes, Beckett and Guibert use this difference as a force of fiction...
Giacometti’s work is not comforting. Whether it is seen as driven by abandonment of faith in history...
Emeritus Professor John Fletcher has compiled a thorough and accessible volume that explains why Bec...