Le théâtre de la guerre et la bataille d’Audenarde (11 juillet 1708)

The battle of Oudenarde (11 July 1708) is one of the numerous defeats of the end of Louis XIV’s reign. The event seems disconnected from legal history. Yet, several layers of analysis allow to connect the battle to the constitutional systems of the belligerents, as well as to the law of nations. This article treats first the military confrontation of two mass armies, representing rulers from Granada to Königsberg, and the local perception of this sudden foreign military presence, through a satire on ‘French vanity and consternation’. In an ensuing stage, the German allies of Louis XIV and his opponents offer a perspective on the law of the Holy Roman Empire. Finally, the battle in itself being far from decisive, diplomatic manoeuvres announced the blueprint of the agreement that would bring the war to an end in 1713-1714. The interconnectedness of all ‘Theatres of War’ (Italy, Spain, Germany, Low Countries, Scotland) equally transpires in the iconography used in Schenk’s Schouwburg van den Oorlog