Critical Theory from Solzhenitsyn's The Gulag Archipelago : Style, Technique, and Ideologiekritik

The Gulag Archipelago has been treated consistently as a conservative indictment of the Russian Revolution and the Soviet Union. When subsumed into his later writings, this perception has reinforced amongst progressives an enduring portrait of Solzhenitsyn-the-man as a backward-looking anti-modernist and reactionary. I advocate a return to the text itself in isolation from Solzhenitsyn’s corpus, and in a manner more cognizant of the political practices latent in its prose. In its style and structure, certain specific techniques can be found where the search for formal methodology has left previous commentators on the Left disappointed. The place of Solzhenitsyn’s magnum opus in the history of political thought is here reassessed on the basis of its style, pointing to its potential contribution to critical theory and to its relevance for critical social analysis today.Peer reviewe