Athenian Choral Institutions and Plato\u27s Ideal Polis

This paper discusses the role of choral institutions in Plato’s ideal polis. In the fourth century BC, choral competitions were a key site of political discourse in Athens, exposing the conflicts inherent to the use of aristocratic patronage in a democratic system. As the demos embraced new musical practices, aristocrats critiqued these changes as a proxy for their opposition to democracy itself. Plato, operating firmly within the aristocratic tradition, placed choral education at the center of his ideal polis as a means to restore and cultivate aristocratic power. However, he also sought to use choral music as a means to rise beyond the aristocratic past, tempering power and honor with moderation and wisdom. His musical program acted as a means of social control, a clarification of social status, and a tool for moral formation of citizens, re-solidifying the aristocracy while transcending its faults