I pose the argument that all artistic mediums have the same underlying storyline but with varying details. My purpose in writing this paper is to explore this curious phenomenon I felt working in the state park: When I decided to stop composing almost entirely for a duration of nine months and fill that void with recording, filming, and producing a “wildlife documentary”, I didn’t stop composing. It was curious to see how many of my colleagues innocently questioned the nature of my work, while I felt that constructing the project was really no different than writing a fugue, a contemporary piece, or any other classification of music. The harmless questioning, I should add, was integral for me to look within myself and question the nature of...