Initially trained as a miniature painter at the National College of Arts, Lahore, Pakistan, the author has aggressively combined new media and conceptual work with her traditional practice. The work is intended to shed light on the complexity of acculturation, politics, and power. This visual essay documents and describes Chishty’s projects such as Drone Art Series and other works specifically related to Pakistan’s border relations with countries like India, China, and Afghanistan. The artist will share her inspiration and motivation behind the projects developed since 2011, including paintings, installations, and collaborative projects.Ope
This paper draws from art, activism, and other critical practices to examine the question of whether...
This chapter explores literary and cinematic works that capture the emergence of technogenic life-fo...
Handout summarising a conference presentation at the conference Drones in Society: New Visual Aesthe...
Access and habituation are socio-cultural forces that have acted to domesticate the drone in contemp...
Military drones have been in operation in various forms since the First World War, and in their pres...
Drone Vision addresses questions of how visibility and verticality are intrinsic to drone technology...
Drone visuals are rapidly becoming part of our sociocultural imaginaries, generating distinct image...
textToday, a growing number of Pakistani artists have embraced the nation’s perceived visual languag...
Drone visuals are rapidly becoming part of our sociocultural imaginaries, generating distinct images...
Drone visuals are rapidly becoming part of our sociocultural imaginaries, generating distinct images...
As aerial perspectives become increasingly prevalent in contemporary visual culture, it is essential...
Mohini Chandra is an internationally renowned artist and researcher based in England, UK. Her artist...
This dissertation investigates drone warfare, which is the military's use of unmanned planes to stri...
Federally administered Tribal Areas (FATA) include seven agencies and six Frontier Regions, and are ...
The discussion here considers the background to my research, my developing practice as an artist and...
This paper draws from art, activism, and other critical practices to examine the question of whether...
This chapter explores literary and cinematic works that capture the emergence of technogenic life-fo...
Handout summarising a conference presentation at the conference Drones in Society: New Visual Aesthe...
Access and habituation are socio-cultural forces that have acted to domesticate the drone in contemp...
Military drones have been in operation in various forms since the First World War, and in their pres...
Drone Vision addresses questions of how visibility and verticality are intrinsic to drone technology...
Drone visuals are rapidly becoming part of our sociocultural imaginaries, generating distinct image...
textToday, a growing number of Pakistani artists have embraced the nation’s perceived visual languag...
Drone visuals are rapidly becoming part of our sociocultural imaginaries, generating distinct images...
Drone visuals are rapidly becoming part of our sociocultural imaginaries, generating distinct images...
As aerial perspectives become increasingly prevalent in contemporary visual culture, it is essential...
Mohini Chandra is an internationally renowned artist and researcher based in England, UK. Her artist...
This dissertation investigates drone warfare, which is the military's use of unmanned planes to stri...
Federally administered Tribal Areas (FATA) include seven agencies and six Frontier Regions, and are ...
The discussion here considers the background to my research, my developing practice as an artist and...
This paper draws from art, activism, and other critical practices to examine the question of whether...
This chapter explores literary and cinematic works that capture the emergence of technogenic life-fo...
Handout summarising a conference presentation at the conference Drones in Society: New Visual Aesthe...