Su Yansheng, Curator, Director and Professor of the Department of Painting, Fine Art School, Shanghai Normal University. The cultural construction of the digital age has brought about rapid changes in contemporary art. Printmaking corresponds to digital media and the benefits from new technologies and diversity of production. Under the impact and influence of new media, print artists may apply technology to search for new visual symbols, by maintaining the original language to achieve a balance between the process of change and conservation. "The 5th Shanghai Intaglio Exhibition" is based on the academic promotion of copperplate engraving. It is an opportunity for new forms of printmaking to be presented in an era of "post-printing" and "p...
The collaborative processes between artist/ printmaker and scientists is the subject of my proposed ...
'Conjunctively Evolving', was an international exhibition in Shanghai, China, curated by Jian Zhou, ...
The importation of the creative industries 1 policy and discourse in China in the early twenty-first...
Su Yansheng, Curator, Director and Professor of the Department of Painting, Fine Art School, Shangha...
Since the establishment of IAPA (international Academic Printmaking Alliance) in 2016, academic exch...
The Xiaoxiang Exhibition of International Printmaking, the accompanying catalogue, together with The...
This exhibition and publication explores some of the current practices by artists working with print...
'In the past decade, Guanlan International Print Biennial has been successfully organized for 5 time...
“A Tradition Re-Interpreted: New Works by Chinese Artists” is an exhibition curated by Professor Qia...
It has been suggested by a range of established commentators that digital technology may have potent...
This exhibition is the second of a two-part exchange between Aberystwyth and Changsha that follows o...
Over the past decade there has been an ever-increasing number of digital and post-digital processes ...
Stephen Mumberson, Vice Chair of the Printmakers Council of the UK and I made the selection for the ...
The notion of ‘exhibition’ originated from the West, in the context of our discussion, usually as an...
Exhibition of Artist Printmakers in conjunction with International Printmaking Conference in which J...
The collaborative processes between artist/ printmaker and scientists is the subject of my proposed ...
'Conjunctively Evolving', was an international exhibition in Shanghai, China, curated by Jian Zhou, ...
The importation of the creative industries 1 policy and discourse in China in the early twenty-first...
Su Yansheng, Curator, Director and Professor of the Department of Painting, Fine Art School, Shangha...
Since the establishment of IAPA (international Academic Printmaking Alliance) in 2016, academic exch...
The Xiaoxiang Exhibition of International Printmaking, the accompanying catalogue, together with The...
This exhibition and publication explores some of the current practices by artists working with print...
'In the past decade, Guanlan International Print Biennial has been successfully organized for 5 time...
“A Tradition Re-Interpreted: New Works by Chinese Artists” is an exhibition curated by Professor Qia...
It has been suggested by a range of established commentators that digital technology may have potent...
This exhibition is the second of a two-part exchange between Aberystwyth and Changsha that follows o...
Over the past decade there has been an ever-increasing number of digital and post-digital processes ...
Stephen Mumberson, Vice Chair of the Printmakers Council of the UK and I made the selection for the ...
The notion of ‘exhibition’ originated from the West, in the context of our discussion, usually as an...
Exhibition of Artist Printmakers in conjunction with International Printmaking Conference in which J...
The collaborative processes between artist/ printmaker and scientists is the subject of my proposed ...
'Conjunctively Evolving', was an international exhibition in Shanghai, China, curated by Jian Zhou, ...
The importation of the creative industries 1 policy and discourse in China in the early twenty-first...