Add to ORKG"Attracted by the power of cinema, the artists featured here analyze its components and delve into the specific qualities of the cinematic grammar, of the way in which a film is constructed, a process that includes camera use, montage, lighting, framing, casting, mise en scène and so forth. In so doing they make use of multiple projection screens, sound, photography, slide projections and props." -- Back cover
L’intertextualité filmique de l’oeuvre des frères Coen permet un recyclage des formules génériques e...
Editors Rieser and Zapp argue that the new media has brought with it innovations in screen narrative...
L’article examine comment les études cinématographiques empruntent leurs concepts à l’histoire de l’...
"This reader surveys the rich history of relationships between the moving and the still image in pho...
Cinépoetry is not a singular film movement or an approach to filmmaking associated with a certain ti...
Ph.D. University of Hawaii at Manoa 2011.Includes bibliographical references.This paper explores how...
Cette recherche tente d’envisager l’art du cinéma comme un art cinégraphique, c’est-à-dire, selon la...
noneCinéma&Cie is an international, peer-reviewed academic journal. Published from 2001, it supports...
2011-10-16Film has always had an important relationship to the art world and a number of well-known ...
This scholarly and creative exegesis explores how ciné-poetic aesthetic strategies can reconceive, i...
La rencontre entre le cinéma et les arts du volume relève d’un principe de perméabilité. Le travail ...
The paper deals with the basic elements of film art as well as the evolution of the film medium. The...
For this Anthropology and the Cinema course, students were required to analyze and compare two films...
This work is about problems of visuality in artistical and clearly biological levels of taking in. A...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
L’intertextualité filmique de l’oeuvre des frères Coen permet un recyclage des formules génériques e...
Editors Rieser and Zapp argue that the new media has brought with it innovations in screen narrative...
L’article examine comment les études cinématographiques empruntent leurs concepts à l’histoire de l’...
"This reader surveys the rich history of relationships between the moving and the still image in pho...
Cinépoetry is not a singular film movement or an approach to filmmaking associated with a certain ti...
Ph.D. University of Hawaii at Manoa 2011.Includes bibliographical references.This paper explores how...
Cette recherche tente d’envisager l’art du cinéma comme un art cinégraphique, c’est-à-dire, selon la...
noneCinéma&Cie is an international, peer-reviewed academic journal. Published from 2001, it supports...
2011-10-16Film has always had an important relationship to the art world and a number of well-known ...
This scholarly and creative exegesis explores how ciné-poetic aesthetic strategies can reconceive, i...
La rencontre entre le cinéma et les arts du volume relève d’un principe de perméabilité. Le travail ...
The paper deals with the basic elements of film art as well as the evolution of the film medium. The...
For this Anthropology and the Cinema course, students were required to analyze and compare two films...
This work is about problems of visuality in artistical and clearly biological levels of taking in. A...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
L’intertextualité filmique de l’oeuvre des frères Coen permet un recyclage des formules génériques e...
Editors Rieser and Zapp argue that the new media has brought with it innovations in screen narrative...
L’article examine comment les études cinématographiques empruntent leurs concepts à l’histoire de l’...