The traditional archive catalogue is a form of structural and descriptive metadata that long precedes the internet, and the cataloguing of photographs is just part of a wider process of archival administration. At the heart of this discussion lies the notion that the single photograph is devoid of context; it is a discrete embodiment of shutter time and there is nothing certain either side of that. Traditional institutional techniques of image description mirror this, as they are based on the visual content and are predominantly context-free. Description constitutes a remediation of the image, in stark contrast to the single word descriptor applied through a metadata schema. The archival photograph is therefore well-placed to highlight the ...
Traditionally the archival principles of provenance, respect des fonds and original order are enacte...
In common parlance, the archive is a large repository of paperwork no longer in bureau cratic circul...
The study examines the knowledge produced by three cultural heritage resources through their respect...
This alternative study of archive and photography sits firmly against the backdrop of the traditiona...
In the cultural heritage digital archive, descriptive metadata makes images (re)searchable. Text-bas...
This paper considers the significance of metadata in relation to the image economy of the web. Socia...
This practice-based PhD takes the institution of the archive as its primary locus, and the position ...
Metadata in its broadest sense is data about data. A library card collecting selected features of a ...
Discussing the current AHRC/LABEX-funded EyCon (Early Conflict Photography 1890-1918 and Visual AI) ...
The important relationship between the material arrangement of the archive and its accompanying cata...
This work aims to discuss how photographic document's specificity needs particular attention when th...
Questioning the archival imperative of access, this research article discussed how descriptive metad...
Forty years ago very few people knew what archives were, now everyone has some idea. This chapter se...
We examine the ‘native’ metadata and organizational structures that individuals create for their per...
This thesis examines how images are used and evaluated in a Swedish archival context. Images as of t...
Traditionally the archival principles of provenance, respect des fonds and original order are enacte...
In common parlance, the archive is a large repository of paperwork no longer in bureau cratic circul...
The study examines the knowledge produced by three cultural heritage resources through their respect...
This alternative study of archive and photography sits firmly against the backdrop of the traditiona...
In the cultural heritage digital archive, descriptive metadata makes images (re)searchable. Text-bas...
This paper considers the significance of metadata in relation to the image economy of the web. Socia...
This practice-based PhD takes the institution of the archive as its primary locus, and the position ...
Metadata in its broadest sense is data about data. A library card collecting selected features of a ...
Discussing the current AHRC/LABEX-funded EyCon (Early Conflict Photography 1890-1918 and Visual AI) ...
The important relationship between the material arrangement of the archive and its accompanying cata...
This work aims to discuss how photographic document's specificity needs particular attention when th...
Questioning the archival imperative of access, this research article discussed how descriptive metad...
Forty years ago very few people knew what archives were, now everyone has some idea. This chapter se...
We examine the ‘native’ metadata and organizational structures that individuals create for their per...
This thesis examines how images are used and evaluated in a Swedish archival context. Images as of t...
Traditionally the archival principles of provenance, respect des fonds and original order are enacte...
In common parlance, the archive is a large repository of paperwork no longer in bureau cratic circul...
The study examines the knowledge produced by three cultural heritage resources through their respect...