The two films that Austrian director Michael Haneke has produced under the same title, “Funny Games”, in 1997 and 2007, focus on the display of violence. However, the second movie is not a traditional self-remake, but the programmatic repetition of the previous one. After a brief theoretical introduction, this article closely examines this provocative project
Van Winkel concentrates on three films by Michael Haneke set in Paris: Code Inconnu (2000), Caché (2...
Straipsnyje analizuojama vizualinės prievartos tema kine ir konkretus vizualinės prievartos atvejis ...
Dans la perspective d'une approche tensive, cet article se propose d'examiner les événements dramati...
Austrian director Michael Haneke is recognized for films that explore the most pressing social quest...
Starting from the premises of the reader-response criticism, advocate of the active role of the reci...
In dieser Arbeit werden die Überschneidungen von Gewalt und Spielen in sechs Filmen von Michael Hane...
Our study suggests that during the last two decades, 1989-2009, with Michael Haneke's movies realize...
This thesis offers analyses of two of Michael Haneke's most provocative films, *Funny Games US,* and...
textThis thesis is an analysis of director Michael Haneke’s theatrically-released films. Using a neo...
The thesis titled The Foreignness of the Self. Michael Haneke’s Play with Reality explores the first...
In this Brechtian-influenced analysis of Michael Haneke's most controversial film, Tarja Laine looks...
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Can...
Michael Haneke has achieved international recognition and notoriety with films that stylistically an...
[EU] Azken hamarkadetan haurren eta gazteen indarkeriaren handiagotzeagatik sortutako interesari arr...
The two central themes in the films of Michael Haneke, the fragmentation and brutality of interperso...
Van Winkel concentrates on three films by Michael Haneke set in Paris: Code Inconnu (2000), Caché (2...
Straipsnyje analizuojama vizualinės prievartos tema kine ir konkretus vizualinės prievartos atvejis ...
Dans la perspective d'une approche tensive, cet article se propose d'examiner les événements dramati...
Austrian director Michael Haneke is recognized for films that explore the most pressing social quest...
Starting from the premises of the reader-response criticism, advocate of the active role of the reci...
In dieser Arbeit werden die Überschneidungen von Gewalt und Spielen in sechs Filmen von Michael Hane...
Our study suggests that during the last two decades, 1989-2009, with Michael Haneke's movies realize...
This thesis offers analyses of two of Michael Haneke's most provocative films, *Funny Games US,* and...
textThis thesis is an analysis of director Michael Haneke’s theatrically-released films. Using a neo...
The thesis titled The Foreignness of the Self. Michael Haneke’s Play with Reality explores the first...
In this Brechtian-influenced analysis of Michael Haneke's most controversial film, Tarja Laine looks...
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Can...
Michael Haneke has achieved international recognition and notoriety with films that stylistically an...
[EU] Azken hamarkadetan haurren eta gazteen indarkeriaren handiagotzeagatik sortutako interesari arr...
The two central themes in the films of Michael Haneke, the fragmentation and brutality of interperso...
Van Winkel concentrates on three films by Michael Haneke set in Paris: Code Inconnu (2000), Caché (2...
Straipsnyje analizuojama vizualinės prievartos tema kine ir konkretus vizualinės prievartos atvejis ...
Dans la perspective d'une approche tensive, cet article se propose d'examiner les événements dramati...