Add to ORKGThe present article is dedicated to the combination of different methods of interpretation on the double bass in jazz music, while providing as much information and resources as possible for the further development and study of different melodic, percussive and accompaniment styles of the jazz double bass. Namely, it is proposed to examine different percussion techniques on the double bass and their notation versions .This problem is examined for the first time in the national music scienc
In the history of jazz, only a very few bassists have played ‘left-handed’ on a ‘right-handed’ instr...
Based on works of crossover nature (classical + popular) composed or arranged for the “2019 Internat...
Since the second half of the 20th century, there has been a continued expansion of pedagogical metho...
The present article is dedicated to the combination of different methods of interpretation on the do...
This thesis presents a recording of seven jazz compositions as performed in the author’s Master’s Re...
This thesis presents a recording of seven jazz compositions as performed in the author’s Master’s Re...
Mestrado em MúsicaNo âmbito da performance musical, mais precisamente no jazz, podemos encontrar ind...
My bachelors thesis ( The double bass in jazz, with special attention on Czech jazz double bassists)...
viiAbstractThis submission contains a thesis, a portfolio of compositions and recorded improvisation...
The aim of this dissertation is to explore improvising on the double bass through an investigation ...
My final project is to show the development of the language and the style of the double bass and its...
Este artículo pretende clarificar algunos conceptos erróneos que se han difundido en torno a la defi...
Brian StoneTimbre is the distinguishing aural quality of a sound, regardless of pitch or volume. Rep...
In the history of jazz, only a very few bassists have played ‘left-handed’ on a ‘right-handed’ instr...
Extended techniques are integral to the creation and interpretation of works for the bass clarinet. ...
In the history of jazz, only a very few bassists have played ‘left-handed’ on a ‘right-handed’ instr...
Based on works of crossover nature (classical + popular) composed or arranged for the “2019 Internat...
Since the second half of the 20th century, there has been a continued expansion of pedagogical metho...
The present article is dedicated to the combination of different methods of interpretation on the do...
This thesis presents a recording of seven jazz compositions as performed in the author’s Master’s Re...
This thesis presents a recording of seven jazz compositions as performed in the author’s Master’s Re...
Mestrado em MúsicaNo âmbito da performance musical, mais precisamente no jazz, podemos encontrar ind...
My bachelors thesis ( The double bass in jazz, with special attention on Czech jazz double bassists)...
viiAbstractThis submission contains a thesis, a portfolio of compositions and recorded improvisation...
The aim of this dissertation is to explore improvising on the double bass through an investigation ...
My final project is to show the development of the language and the style of the double bass and its...
Este artículo pretende clarificar algunos conceptos erróneos que se han difundido en torno a la defi...
Brian StoneTimbre is the distinguishing aural quality of a sound, regardless of pitch or volume. Rep...
In the history of jazz, only a very few bassists have played ‘left-handed’ on a ‘right-handed’ instr...
Extended techniques are integral to the creation and interpretation of works for the bass clarinet. ...
In the history of jazz, only a very few bassists have played ‘left-handed’ on a ‘right-handed’ instr...
Based on works of crossover nature (classical + popular) composed or arranged for the “2019 Internat...
Since the second half of the 20th century, there has been a continued expansion of pedagogical metho...