This article explores the use of photography and visual motifs as forms of political humour in contemporary media. By studying the representation of former Prime Minister of Spain Mariano Rajoy in the front pages of three Spanish newspapers (El Mundo, El País and La Vanguardia) between 2011 and 2017, the paper identifies and questions the liaisons between power and satire present in the so-called “serious” press, focusing on how different photographic traits concerning layout, composition and gestures reflect ideological choices. This photographic satire developed by printed media is then framed within a figurative tradition that goes back to Spanish royal portraiture, from Velázquez to Goya, which employs common strategies for the visual d...
En el artículo, consideramos al semanario Caras y Caretas en el período 1898 (momento de su lanzamie...
SATIRICAL CARTOONS IN THE CONTEMPORARY BRITISH PRESS The polarization of the British national press ...
The article analyses the tradition of critical cartoons in Argentina using the lens of Freud’s conce...
The aim of this paper is to study the Leader of the Spanish Government’s media representation, Maria...
In the last few years, affect has entered the field of politics through both the media and political...
The paper seeks to describe the features of the general daily press coverage of the concept ‘Spain b...
The media help to construct the visual and iconographic imagery of economic power in the dialectical...
In the digital context, social media have become powerful platforms for the dissemination of politic...
This proposal emerges from Sartori’s postulate about the primacy of the image. On the basis of this ...
The present thesis analyses political humour as an opinion and critical discourse of political power...
The greatest Spanish satirist lived in the Golden Age: Francisco de Quevedo y Villegas (1580-1645). ...
Aquest article examina el paper que ha jugat la fotografia en la cultura política mexicana, tant com...
This article examines the circulation and appropriation of the photographs of Juan Negrín, the last ...
Throughout Spanish history, satire has been often present. Working as a driving force of both an inf...
By articulating qualitative and quantitative analyses, we have made a bicultural study of linguistic...
En el artículo, consideramos al semanario Caras y Caretas en el período 1898 (momento de su lanzamie...
SATIRICAL CARTOONS IN THE CONTEMPORARY BRITISH PRESS The polarization of the British national press ...
The article analyses the tradition of critical cartoons in Argentina using the lens of Freud’s conce...
The aim of this paper is to study the Leader of the Spanish Government’s media representation, Maria...
In the last few years, affect has entered the field of politics through both the media and political...
The paper seeks to describe the features of the general daily press coverage of the concept ‘Spain b...
The media help to construct the visual and iconographic imagery of economic power in the dialectical...
In the digital context, social media have become powerful platforms for the dissemination of politic...
This proposal emerges from Sartori’s postulate about the primacy of the image. On the basis of this ...
The present thesis analyses political humour as an opinion and critical discourse of political power...
The greatest Spanish satirist lived in the Golden Age: Francisco de Quevedo y Villegas (1580-1645). ...
Aquest article examina el paper que ha jugat la fotografia en la cultura política mexicana, tant com...
This article examines the circulation and appropriation of the photographs of Juan Negrín, the last ...
Throughout Spanish history, satire has been often present. Working as a driving force of both an inf...
By articulating qualitative and quantitative analyses, we have made a bicultural study of linguistic...
En el artículo, consideramos al semanario Caras y Caretas en el período 1898 (momento de su lanzamie...
SATIRICAL CARTOONS IN THE CONTEMPORARY BRITISH PRESS The polarization of the British national press ...
The article analyses the tradition of critical cartoons in Argentina using the lens of Freud’s conce...