Jackie ShawThe global call to ‘leave-no-one behind’ cannot be achieved without tacking the intractable social issues faced by the most excluded people. There is increasing interest in using visual methodologies for participatory research in contexts of marginalisation, because they offer the potential to generate knowledge from people’s lived experience, which can reveal subjective, emotional, and contextual aspects missed by other methods; alongside the means for action through showing outputs to external audiences. The challenge is that the perspectives of those in highly inequitable and unaccountable contexts are – by definition – rarely articulated and often neglected. The author thus begins by assuming that there are unavoidable tensio...
This chapter draws on the shared reflections and tensions from collaborative research in an experien...
This article considers research into barriers to learning (including HIV/AIDS) in a small, rural tow...
As researchers, members of NGOs, activists, and artists, we often work with marginalised communities...
Over recent decades there has been a rapid expansion in the use of participatory visual methods to u...
Jackie ShawOver recent decades there has been a rapid expansion in the use of participatory visual m...
In our visually saturated culture there is a growing recognition that visual images have the potenti...
Two of the central challenges in building accountability for marginalised people are how to reach an...
For humanitarian organisations that use photography as their major medium of communication the visua...
Contemporary society is characterised by an occularcentric culture in which the visual image permeat...
There is a growing body of literature describing conceptual frameworks for working with participator...
While the potential and limitations of participatory methodologies with children and young people ha...
For humanitarian organisations that use photography as their major medium of communication the visua...
As a documentary photographer working in humanitarian development, my job is to capture a situation ...
Contemporary society is characterised by an occularcentric culture in which the visual image perme...
This paper explores the ways in which mothers and daughters in marginalised, urban housing areas in ...
This chapter draws on the shared reflections and tensions from collaborative research in an experien...
This article considers research into barriers to learning (including HIV/AIDS) in a small, rural tow...
As researchers, members of NGOs, activists, and artists, we often work with marginalised communities...
Over recent decades there has been a rapid expansion in the use of participatory visual methods to u...
Jackie ShawOver recent decades there has been a rapid expansion in the use of participatory visual m...
In our visually saturated culture there is a growing recognition that visual images have the potenti...
Two of the central challenges in building accountability for marginalised people are how to reach an...
For humanitarian organisations that use photography as their major medium of communication the visua...
Contemporary society is characterised by an occularcentric culture in which the visual image permeat...
There is a growing body of literature describing conceptual frameworks for working with participator...
While the potential and limitations of participatory methodologies with children and young people ha...
For humanitarian organisations that use photography as their major medium of communication the visua...
As a documentary photographer working in humanitarian development, my job is to capture a situation ...
Contemporary society is characterised by an occularcentric culture in which the visual image perme...
This paper explores the ways in which mothers and daughters in marginalised, urban housing areas in ...
This chapter draws on the shared reflections and tensions from collaborative research in an experien...
This article considers research into barriers to learning (including HIV/AIDS) in a small, rural tow...
As researchers, members of NGOs, activists, and artists, we often work with marginalised communities...