Wall painting realized using organic binders is the oldest form of parietal painting and precedes the birth of the affresco by about 20,000 years. This paper reports the results obtained from the main studies in the field of archaeological wall paintings. The attention was paid to the study of organic binders used for the application of the color, as well as on the instrumental techniques chosen to obtain such information. Different techniques can be used for the study of organic material in archeological paintings: non-destructive techniques, which can be applied directly in situ without sampling, and laboratory micro-invasive techniques for a more in-depth characterization. Among these, the chromatographic techniques represent a potential...
The beiwusheng huiguan (‘Meeting hall of the Five Northern Dynasties’) is a building complex from th...
The wall paintings analyzed have been found in two archaeological contexts, situated in the southwe...
Background: Although the pigment composition of Pompeian wall paintings has been the object of sever...
Wall painting realized using organic binders is the oldest form of parietal painting and precedes th...
The subject of this work are choosen bioanalytical methods, used for the identification of organic b...
This paper presents the results of an investigation of organic binding media detected in samples fro...
Artists have experimented with a variety of organic natural materials for use as paint binders and v...
Pompeii's archaeological site is of utmost importance for the study of ancient remains of great hist...
The main goal of the present paper is to add some data to the study of the painting techniques used ...
Dyes are among the most significant components in works of art and archaeological findings. In the s...
An organic binder was identified in the painted fragments from the Canaanite palace of Tel Kabri, Is...
The main objective of this study is to allow a thorough knowledge of the materials and the productio...
Understanding the original techniques in the creation of an artwork is a prerequisite for the select...
Abstract This study gives an account of the organic components (binders and coatings) found in the p...
A stony sculptural composition of the Nativity Scene is preserved in Altamura’s Cathedral (Apulia, I...
The beiwusheng huiguan (‘Meeting hall of the Five Northern Dynasties’) is a building complex from th...
The wall paintings analyzed have been found in two archaeological contexts, situated in the southwe...
Background: Although the pigment composition of Pompeian wall paintings has been the object of sever...
Wall painting realized using organic binders is the oldest form of parietal painting and precedes th...
The subject of this work are choosen bioanalytical methods, used for the identification of organic b...
This paper presents the results of an investigation of organic binding media detected in samples fro...
Artists have experimented with a variety of organic natural materials for use as paint binders and v...
Pompeii's archaeological site is of utmost importance for the study of ancient remains of great hist...
The main goal of the present paper is to add some data to the study of the painting techniques used ...
Dyes are among the most significant components in works of art and archaeological findings. In the s...
An organic binder was identified in the painted fragments from the Canaanite palace of Tel Kabri, Is...
The main objective of this study is to allow a thorough knowledge of the materials and the productio...
Understanding the original techniques in the creation of an artwork is a prerequisite for the select...
Abstract This study gives an account of the organic components (binders and coatings) found in the p...
A stony sculptural composition of the Nativity Scene is preserved in Altamura’s Cathedral (Apulia, I...
The beiwusheng huiguan (‘Meeting hall of the Five Northern Dynasties’) is a building complex from th...
The wall paintings analyzed have been found in two archaeological contexts, situated in the southwe...
Background: Although the pigment composition of Pompeian wall paintings has been the object of sever...