In her research, Dr. Allie Terry-Fritsch has focused primarily on different forms of cross-cultural and multidisciplinary exploration with a somaesthetic perspective. Uncovering the embodied creation and perception in significant aspects of art history and analysing different modes of viewership has been one of her key endeavours. She is particularly interested in describing how the medieval and early modern communities acted as participants and interpreters of events and how they imbued these events with new meaning. She has published many articles and several books with original, stimulating and significant contributions to this topic
Florence in the Early Modern World offers new perspectives on this important city by exploring the b...
Artemisia Gentileschi is a talented master painter, a critical darling among feminist historians, an...
The architecture of the Florentine Renaissance was a means of establishing a visual, physical identi...
Somaesthetic Experience and the Viewer in Medicean Florence. Renaissance Art and Political Persuasio...
The purpose of this paper is to address the relationship between art and religious belief in the Mid...
Chair: Dr. Agnieszka Whelan, Department of Art History Presenters: Andrea Dalton, Olivia Morgan, Cri...
This contribution introduces the proceedings of the international conference The Sophistic Renaissan...
University of Technology, Sydney. Faculty of Humanities and Social Sciences.It is the intention of t...
Originally published in 1968. In the pluralistic society of the medieval commune, informal and perso...
This contribution introduces the proceedings of the international conference The Sophistic Renaissan...
In recent years the study of miraculous images has experienced a substantial re-evaluation of their ...
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those c...
Historians bring fresh perspectives and new ideas to interpretations of the past. Each society evalu...
A collection of essays by leading art and architectural historians which examine treatises and works...
My dissertation has as its subject the intersection of medical and artistic visions of the human bod...
Florence in the Early Modern World offers new perspectives on this important city by exploring the b...
Artemisia Gentileschi is a talented master painter, a critical darling among feminist historians, an...
The architecture of the Florentine Renaissance was a means of establishing a visual, physical identi...
Somaesthetic Experience and the Viewer in Medicean Florence. Renaissance Art and Political Persuasio...
The purpose of this paper is to address the relationship between art and religious belief in the Mid...
Chair: Dr. Agnieszka Whelan, Department of Art History Presenters: Andrea Dalton, Olivia Morgan, Cri...
This contribution introduces the proceedings of the international conference The Sophistic Renaissan...
University of Technology, Sydney. Faculty of Humanities and Social Sciences.It is the intention of t...
Originally published in 1968. In the pluralistic society of the medieval commune, informal and perso...
This contribution introduces the proceedings of the international conference The Sophistic Renaissan...
In recent years the study of miraculous images has experienced a substantial re-evaluation of their ...
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those c...
Historians bring fresh perspectives and new ideas to interpretations of the past. Each society evalu...
A collection of essays by leading art and architectural historians which examine treatises and works...
My dissertation has as its subject the intersection of medical and artistic visions of the human bod...
Florence in the Early Modern World offers new perspectives on this important city by exploring the b...
Artemisia Gentileschi is a talented master painter, a critical darling among feminist historians, an...
The architecture of the Florentine Renaissance was a means of establishing a visual, physical identi...