Through an in-depth study of primary and secondary sources, the article thoroughly describes the four most commonly used coloring techniques of the silent period: hand coloring, stencilling, tinting, and toning. The article gives an account of the rich technical and cultural history that relates these techniques to industrial modernity (new technologies, trade of dyes, chemical innovations), cultural modernity (traditions of artistic and popular design, painting, culture of printing), and spectacular modernity (magic lantern and fin-de-siècletheatrical scene).Keywords: hand coloring, stencilling, tinting, toning, special effects___________Técnicas de lo fantásticoResumen: Mediante un estudio profundo de fuentes primarias y secundarias, el a...
Epistemological Framework. The present thesis provides a specific approach to the realm of Evolutio...
El objetivo del artículo es discutir la potencialidad de prácticas artísticas contemporáneas que pla...
This thesis starts from the discussion of the inconvenient essentialism of the visual matter in whic...
The silent period is a field of study traditionally relegated by a large part of the historiography...
The author of the text analysis how the appearance of the new media of representation, from the pain...
ABSTRACT ENGLISH A couple of years several professors from the School of Fine Arts in Malaga we we...
349 páginasThe filmic body of work in Representations of the Authorial Figure in Cinema: the Writer ...
Although much has been said about the direct relationship between art and architecture, little has b...
[EN] This thesis developed the investigation about the possibilities of texture and form of the reli...
Tesi amb diferents seccions retallades per drets de l'editorThe research focuses on how to illuminat...
[EN] All creation, work or aesthetic product require a medium that can contains, expresses, and move...
Photography provides an indication of “that was” (Barthes, 1982) in film narration, beyond its ficti...
[ES] Esta tesis sondea los estereotipos y apropiaciones alrededor de la figura femenina en el arte, ...
With an interdisciplinary approach, which currently requires the vast territory of the landscape tod...
In the framework of Graphic Design, the documented expressions of the different periods are part of ...
Epistemological Framework. The present thesis provides a specific approach to the realm of Evolutio...
El objetivo del artículo es discutir la potencialidad de prácticas artísticas contemporáneas que pla...
This thesis starts from the discussion of the inconvenient essentialism of the visual matter in whic...
The silent period is a field of study traditionally relegated by a large part of the historiography...
The author of the text analysis how the appearance of the new media of representation, from the pain...
ABSTRACT ENGLISH A couple of years several professors from the School of Fine Arts in Malaga we we...
349 páginasThe filmic body of work in Representations of the Authorial Figure in Cinema: the Writer ...
Although much has been said about the direct relationship between art and architecture, little has b...
[EN] This thesis developed the investigation about the possibilities of texture and form of the reli...
Tesi amb diferents seccions retallades per drets de l'editorThe research focuses on how to illuminat...
[EN] All creation, work or aesthetic product require a medium that can contains, expresses, and move...
Photography provides an indication of “that was” (Barthes, 1982) in film narration, beyond its ficti...
[ES] Esta tesis sondea los estereotipos y apropiaciones alrededor de la figura femenina en el arte, ...
With an interdisciplinary approach, which currently requires the vast territory of the landscape tod...
In the framework of Graphic Design, the documented expressions of the different periods are part of ...
Epistemological Framework. The present thesis provides a specific approach to the realm of Evolutio...
El objetivo del artículo es discutir la potencialidad de prácticas artísticas contemporáneas que pla...
This thesis starts from the discussion of the inconvenient essentialism of the visual matter in whic...