Add to ORKGThis booklet was published in conjunction with an exhibition held at McKissick Museum, University of South Carolina, August 14 - December 14, 2010
Exploring Nature’s Texture brings together a collection of internationally-known group of artists, t...
The South Carolina Sea Grant Consortium publishes Coastal Heritage, a quarterly publication that cov...
Introduction to the special issue 'Embodied Inequalities of the Anthropocene', guest edited by Jenni...
Contents: The Art of Environmental Awareness, Batiks by Mary Edna Fraser.....p. 1 SilverYana: The Ph...
The author discusses nature\u27s influence on different works of art, including references to the co...
Sarah Bodman on reading the ongoing, environmentally-focused works encompassing Termómetos Project f...
The exhibition of the photographic work entitled, Water: Experience, Recognition, Conversance, is th...
In recent years, we have come to understand that the environmental crisis is no longer what we see i...
Batik design. Kamal Matthews showing slides from Acton High School workshop of children working on ...
I have organized this paper into four chapters: The Environmental Situation, Space and Place, A...
ECOLOGICAL ART EXHIBITION AS TRANSFORMATIVE PEDAGOGY Stacey Skold, Ph.D. University of Nebraska, 202...
As we write this in a cool and rainy north of England, the planet is burning. Some of the highest te...
Plastic has become ubiquitous in the oceans. Although a convenient and cheap way to distribute goods...
Leather, wool, hand-blown glass. Size: approximately 80cm X 60cm 50cm. Weight 6.5 kg. Shown here wit...
Human and nonhuman animal lives are intimately entangled. In the age of the Anthropocene, it is impe...
Exploring Nature’s Texture brings together a collection of internationally-known group of artists, t...
The South Carolina Sea Grant Consortium publishes Coastal Heritage, a quarterly publication that cov...
Introduction to the special issue 'Embodied Inequalities of the Anthropocene', guest edited by Jenni...
Contents: The Art of Environmental Awareness, Batiks by Mary Edna Fraser.....p. 1 SilverYana: The Ph...
The author discusses nature\u27s influence on different works of art, including references to the co...
Sarah Bodman on reading the ongoing, environmentally-focused works encompassing Termómetos Project f...
The exhibition of the photographic work entitled, Water: Experience, Recognition, Conversance, is th...
In recent years, we have come to understand that the environmental crisis is no longer what we see i...
Batik design. Kamal Matthews showing slides from Acton High School workshop of children working on ...
I have organized this paper into four chapters: The Environmental Situation, Space and Place, A...
ECOLOGICAL ART EXHIBITION AS TRANSFORMATIVE PEDAGOGY Stacey Skold, Ph.D. University of Nebraska, 202...
As we write this in a cool and rainy north of England, the planet is burning. Some of the highest te...
Plastic has become ubiquitous in the oceans. Although a convenient and cheap way to distribute goods...
Leather, wool, hand-blown glass. Size: approximately 80cm X 60cm 50cm. Weight 6.5 kg. Shown here wit...
Human and nonhuman animal lives are intimately entangled. In the age of the Anthropocene, it is impe...
Exploring Nature’s Texture brings together a collection of internationally-known group of artists, t...
The South Carolina Sea Grant Consortium publishes Coastal Heritage, a quarterly publication that cov...
Introduction to the special issue 'Embodied Inequalities of the Anthropocene', guest edited by Jenni...