Add to ORKGThis catalog accompanies an exhibition that deals with collecting, taste and culture in the nineteenth century. Although many individuals enjoy visiting museums to admire individual objects, few people ever wonder why a particular object was collected. Rarely are collections themselves considered a single entity worthy of study. This examination of the print collection assembled for Robert Gibbes by Charles Fraser, however, reveals the value of utilizing collections to study cultural history
Henry Clay Lewis (1820-84) was a wealthy banker in a small town in southern Michigan who with no for...
Pays tribute to G. Ross Roy as book collector, describing the origins and growth of the Robert Burns...
This thesis examines the documentation process of a collection of contemporary objects made by a No...
© 1976 Dr. Gerard VaughanMy examination of the holdings of private art collections in Victoria befor...
This article discusses three nineteenth-century paintings from the Columbia University art collectio...
What is worth collecting? How do we honour perceived value? Who decides how we classify and display ...
© 2018 Cathleen Gabriella Marie RosierThis thesis is a study of collector Dr. Samuel Arthur Ewing (1...
British Models of Art Collecting and the American Response - Reflections Across the Pond presents 14...
In a dissertation about museums on the American frontier in the early 19th century, I trace the demi...
Irish-born Robert Gibbings (1889-1958) was an incredibly talented artist, engraver, and author. He t...
grantor: University of TorontoJudged by contemporary standards of museum practice and dis...
This publication documents part of the exhibition "Britannia in Kansas" at the Kenneth Spencer Resea...
abstract: The Victorian era was the age of museum development in the United States. In the wake of t...
Although wealthy continental virtuosos had passionately and selectively accumulated a variety of nat...
This thesis examines the art collections of nineteenth-century middle-class collectors to address ov...
Henry Clay Lewis (1820-84) was a wealthy banker in a small town in southern Michigan who with no for...
Pays tribute to G. Ross Roy as book collector, describing the origins and growth of the Robert Burns...
This thesis examines the documentation process of a collection of contemporary objects made by a No...
© 1976 Dr. Gerard VaughanMy examination of the holdings of private art collections in Victoria befor...
This article discusses three nineteenth-century paintings from the Columbia University art collectio...
What is worth collecting? How do we honour perceived value? Who decides how we classify and display ...
© 2018 Cathleen Gabriella Marie RosierThis thesis is a study of collector Dr. Samuel Arthur Ewing (1...
British Models of Art Collecting and the American Response - Reflections Across the Pond presents 14...
In a dissertation about museums on the American frontier in the early 19th century, I trace the demi...
Irish-born Robert Gibbings (1889-1958) was an incredibly talented artist, engraver, and author. He t...
grantor: University of TorontoJudged by contemporary standards of museum practice and dis...
This publication documents part of the exhibition "Britannia in Kansas" at the Kenneth Spencer Resea...
abstract: The Victorian era was the age of museum development in the United States. In the wake of t...
Although wealthy continental virtuosos had passionately and selectively accumulated a variety of nat...
This thesis examines the art collections of nineteenth-century middle-class collectors to address ov...
Henry Clay Lewis (1820-84) was a wealthy banker in a small town in southern Michigan who with no for...
Pays tribute to G. Ross Roy as book collector, describing the origins and growth of the Robert Burns...
This thesis examines the documentation process of a collection of contemporary objects made by a No...