Add to ORKGGeorge Caleb Bingham was one of the few artists with a political career as well, serving in the Missouri legislature. In this article, Joan Stack interrogates a body of Bingham’s work in the context of the social and political atmosphere of antebellum Missouri
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2017.This disserta...
This paper examines the negotiation of visual culture and public space by African Americans in anteb...
The Exposition Universelle of 1867 was the second of its kind to be held in Paris and was the larges...
Review of: George Caleb Bingham: Missouri\u27s Famed Painter and Forgotten Politician. Nagel, Paul C
Nancy Rash\u27s superb study exemplifies the sort of reevaluation that results from tearing down the...
The work of the Missouri artist, George Caleb Bingham (1811-79), offers us a good opportunity for ...
Grier, Katherine C.In the first half of the nineteenth century, panorama exhibitions were a hybrid a...
The Mexican-American War (1846-48) is often described as the first major war in US history inspired ...
Article discusses the implications of Manifest Destiny and the Whipple Expedition, particularly the ...
In a dissertation about museums on the American frontier in the early 19th century, I trace the demi...
America’s identity in the nineteenth century was commonly located in the grand features of its lands...
Over the last century, art museums in the United States have mounted dozens of exhibitions of Coloni...
In the aftermath of the 1910 Mexican Revolution, the postrevolutionary state launched an innovative ...
Building on earlier, broader studies of the subject, this article has three principal objectives: it...
“The Incoherencies of Empire” examines the conflicting visual representations of Native Americans an...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2017.This disserta...
This paper examines the negotiation of visual culture and public space by African Americans in anteb...
The Exposition Universelle of 1867 was the second of its kind to be held in Paris and was the larges...
Review of: George Caleb Bingham: Missouri\u27s Famed Painter and Forgotten Politician. Nagel, Paul C
Nancy Rash\u27s superb study exemplifies the sort of reevaluation that results from tearing down the...
The work of the Missouri artist, George Caleb Bingham (1811-79), offers us a good opportunity for ...
Grier, Katherine C.In the first half of the nineteenth century, panorama exhibitions were a hybrid a...
The Mexican-American War (1846-48) is often described as the first major war in US history inspired ...
Article discusses the implications of Manifest Destiny and the Whipple Expedition, particularly the ...
In a dissertation about museums on the American frontier in the early 19th century, I trace the demi...
America’s identity in the nineteenth century was commonly located in the grand features of its lands...
Over the last century, art museums in the United States have mounted dozens of exhibitions of Coloni...
In the aftermath of the 1910 Mexican Revolution, the postrevolutionary state launched an innovative ...
Building on earlier, broader studies of the subject, this article has three principal objectives: it...
“The Incoherencies of Empire” examines the conflicting visual representations of Native Americans an...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2017.This disserta...
This paper examines the negotiation of visual culture and public space by African Americans in anteb...
The Exposition Universelle of 1867 was the second of its kind to be held in Paris and was the larges...