The two parts of William Faulkner’s If I Forget Thee, Jerusalem—“The Wild Palms” and “Old Man”—mirror one another; the second story reflects a more familiar way of illustrating the same theme as the first. Each story emphasizes the other, building the shared theme subversive of traditional gender roles. It is also my feeling that Faulkner inverts Arthurian motifs to tell both stories (especially “The Wild Palms,” though most assume “Old Man” to be the more romantically accessible tale) exactly as Nathaniel Hawthorne did to tell The Scarlet Letter. Hawthorne’s bifurcating of the Grail legend in order to reclaim feminine principles and so regenerate his community (and/or his inherited guilt) must have seemed ideal to Faulkner in his own cause...
Although Faulkner had already, with his earlier fiction, established himself as a practitioner of a ...
This study focuses on the early fiction of William Faulkner, particularly Mosquitoes. Understood in ...
My thesis explores the formation of the subject in the novels of Faulkner’s Go Down, Moses, Toni Mor...
The two parts of William Faulkner’s If I Forget Thee, Jerusalem—“The Wild Palms ” and “Old Man”—mirr...
En este trabajo nos disponemos a estudiar dos ejemplos paradigmáticos del choque\ud entre sujeto fem...
Miscegenation occupies an important place in Faulkner's fiction. He often uses the theme of miscegen...
Cleanth Brooks’ emphasis on textual structure helped move Faulkner criticism in new directions. Thou...
William Faulkner\u27s unorthodox use of Christian imagery in his major novels proved a stumbling-blo...
I propose that William Faulkner\u27s literary imagination is charged by a Jewish sensibility rooted ...
With The Wild Palms (1939), William Faulkner critiques commercial literature through the treatment o...
I argue that Faulkner\u27s purpose extends beyond forging sympathy for the women; his purpose seeks ...
Because human nature is so often irrational and passional, William Faulkner many times offers portra...
During the years 1928-1932, William Faulkner wrote and published three novels containing varying but...
“I think women are marvelous, they\u27re wonderful, and I know very little about them,” Faulkner is ...
“Race, Women, and the South: Faulkner’s Connection to and Separation from the Fugitive-Agrarians” ex...
Although Faulkner had already, with his earlier fiction, established himself as a practitioner of a ...
This study focuses on the early fiction of William Faulkner, particularly Mosquitoes. Understood in ...
My thesis explores the formation of the subject in the novels of Faulkner’s Go Down, Moses, Toni Mor...
The two parts of William Faulkner’s If I Forget Thee, Jerusalem—“The Wild Palms ” and “Old Man”—mirr...
En este trabajo nos disponemos a estudiar dos ejemplos paradigmáticos del choque\ud entre sujeto fem...
Miscegenation occupies an important place in Faulkner's fiction. He often uses the theme of miscegen...
Cleanth Brooks’ emphasis on textual structure helped move Faulkner criticism in new directions. Thou...
William Faulkner\u27s unorthodox use of Christian imagery in his major novels proved a stumbling-blo...
I propose that William Faulkner\u27s literary imagination is charged by a Jewish sensibility rooted ...
With The Wild Palms (1939), William Faulkner critiques commercial literature through the treatment o...
I argue that Faulkner\u27s purpose extends beyond forging sympathy for the women; his purpose seeks ...
Because human nature is so often irrational and passional, William Faulkner many times offers portra...
During the years 1928-1932, William Faulkner wrote and published three novels containing varying but...
“I think women are marvelous, they\u27re wonderful, and I know very little about them,” Faulkner is ...
“Race, Women, and the South: Faulkner’s Connection to and Separation from the Fugitive-Agrarians” ex...
Although Faulkner had already, with his earlier fiction, established himself as a practitioner of a ...
This study focuses on the early fiction of William Faulkner, particularly Mosquitoes. Understood in ...
My thesis explores the formation of the subject in the novels of Faulkner’s Go Down, Moses, Toni Mor...