Unlike most courses dedicated to The Wire that have examined race, class, criminal justice, urban studies, or education, Sodano foregrounds The Wire as a work of television and examines how it was taught to media majors and non-majors from aesthetic, cultural, technological, economic, and sociological perspectives. It is crucial to recognize The Wire as a piece of television because the circumstances surrounding its appearance on HBO provide context for how it was produced, distributed, and received
The Wire’s figuration of the complexity of the relations between the different social structures, in...
In my thesis I analyze the narrative structure, style, fictional world of The Wire, and their mutual...
Few other television series have received as much academic, media, and fan celebration as The Wire, ...
Unlike most courses dedicated to The Wire that have examined race, class, criminal justice, urban st...
In this essay, I argue that the pedagogical, or, more generally, heuristic potential of HBO’s crime ...
This essay applies the concept of the white racial frame (Feagin 2010) in a critical reflection of t...
SLIDESHARE The Wire (HBO 2002-08) is one of the most ever critically acclaimed TV-shows. It transcen...
I have a confession: I have only watched Season 1 of The Wire, and it has been many years since I di...
Unlike much scholarship on television that studies the medium\u27s effects on viewers or looks at on...
Beyond its oft-praised "realism", The Wire (HBO, 2002-2008) – precisely because of its closeness to ...
This qualitative inquiry is a close reading of the representations of public schools and schooling i...
Fans of The Wire know Bunk. Those fans who are legal minded may even remember, in the first scene ...
HBO's The Wire examines the relationship between institutions and individuals in American society an...
This thesis is a content analysis of HBO’s fourth season of The Wire. After conducting an in-depth a...
The concept that dramatic fiction should be a form of truth, and not just entertainment is not a new...
The Wire’s figuration of the complexity of the relations between the different social structures, in...
In my thesis I analyze the narrative structure, style, fictional world of The Wire, and their mutual...
Few other television series have received as much academic, media, and fan celebration as The Wire, ...
Unlike most courses dedicated to The Wire that have examined race, class, criminal justice, urban st...
In this essay, I argue that the pedagogical, or, more generally, heuristic potential of HBO’s crime ...
This essay applies the concept of the white racial frame (Feagin 2010) in a critical reflection of t...
SLIDESHARE The Wire (HBO 2002-08) is one of the most ever critically acclaimed TV-shows. It transcen...
I have a confession: I have only watched Season 1 of The Wire, and it has been many years since I di...
Unlike much scholarship on television that studies the medium\u27s effects on viewers or looks at on...
Beyond its oft-praised "realism", The Wire (HBO, 2002-2008) – precisely because of its closeness to ...
This qualitative inquiry is a close reading of the representations of public schools and schooling i...
Fans of The Wire know Bunk. Those fans who are legal minded may even remember, in the first scene ...
HBO's The Wire examines the relationship between institutions and individuals in American society an...
This thesis is a content analysis of HBO’s fourth season of The Wire. After conducting an in-depth a...
The concept that dramatic fiction should be a form of truth, and not just entertainment is not a new...
The Wire’s figuration of the complexity of the relations between the different social structures, in...
In my thesis I analyze the narrative structure, style, fictional world of The Wire, and their mutual...
Few other television series have received as much academic, media, and fan celebration as The Wire, ...