In lieu of an abstract, here is the chapter\u27s first paragraph: During the eighteenth century, it was a matter of some dispute whether Colley Cibber (1671-1757), actor, manger, playwright, and poet, had raised the business of theatre to an art or lowered the art of drama to a business. Though officially the King\u27s servants, the Drury Lane actors and managers had always made their living by commercial success, not patronage. Yet Colley Cibber\u27s very public attempts to turn a profit, please the public, and still rise in stature among men of letters, made him repeatedly the focus and emblem of heated discussions of taste, propriety, and power
The essay examines current thinking on early modern authorship within the competitive economies of t...
Note on the text: “The Brain-Sucker: Or, the Distress of Authorship” was first published in The Brit...
Includes sixteen essays on the origins of copyright. First paragraph: What is Copyright History? His...
In lieu of an abstract, here is the chapter\u27s first paragraph: During the eighteenth century, it ...
Colley Cibber changed the course of the English-speaking theater. One of the most complete theater m...
Copyright is by no means the only device for asserting ownership of a work. Some writers, including ...
Throughout English theatrical history, the relationship between playwrights and managers has been vi...
This Article explores playwrights\u27 common law play right. Since this conference celebrates the ...
Session C.2 - Dickens & modernity 1In 1839, George W. M. Reynolds published an unofficial sequel to ...
My thesis explores how early modern playwrights navigated the complicated, and often competing, dema...
Over the last ten years there has been a struggle within Shakespeare studies between the vast majori...
In 1647, Humphrey Moseley and Humphrey Robinson published a folio collection of unpublished works wh...
The essay presents the scholarly controversy over the correct attribution of the works by “Shakespea...
This essay begins by establishing the vexed status of authorship in the early nineteenth century, a ...
Ten radically altered versions of Shakespeare’s plays appeared on stage between 1678 and 1682, partl...
The essay examines current thinking on early modern authorship within the competitive economies of t...
Note on the text: “The Brain-Sucker: Or, the Distress of Authorship” was first published in The Brit...
Includes sixteen essays on the origins of copyright. First paragraph: What is Copyright History? His...
In lieu of an abstract, here is the chapter\u27s first paragraph: During the eighteenth century, it ...
Colley Cibber changed the course of the English-speaking theater. One of the most complete theater m...
Copyright is by no means the only device for asserting ownership of a work. Some writers, including ...
Throughout English theatrical history, the relationship between playwrights and managers has been vi...
This Article explores playwrights\u27 common law play right. Since this conference celebrates the ...
Session C.2 - Dickens & modernity 1In 1839, George W. M. Reynolds published an unofficial sequel to ...
My thesis explores how early modern playwrights navigated the complicated, and often competing, dema...
Over the last ten years there has been a struggle within Shakespeare studies between the vast majori...
In 1647, Humphrey Moseley and Humphrey Robinson published a folio collection of unpublished works wh...
The essay presents the scholarly controversy over the correct attribution of the works by “Shakespea...
This essay begins by establishing the vexed status of authorship in the early nineteenth century, a ...
Ten radically altered versions of Shakespeare’s plays appeared on stage between 1678 and 1682, partl...
The essay examines current thinking on early modern authorship within the competitive economies of t...
Note on the text: “The Brain-Sucker: Or, the Distress of Authorship” was first published in The Brit...
Includes sixteen essays on the origins of copyright. First paragraph: What is Copyright History? His...