I propound, for this presentation, to analyze the films of Pier Paolo Pasolini, observing the forms of trespass brought by unruly bodies that surround the fringe of Rome or other and fictional peripheries created by the Italian director. I am interested in returning to Pasolini's filmography and examine how these escaping souls, which are not reached by "political technology of the body" (quoting Foucault), are constructed through images and filmic narratives.Proponho neste texto analisar filmes de Píer Paolo Pasolini observando as formas de transgressão propostas por corpos indisciplinados que cercam a periferia de Roma ou periferias outras e imaginárias criadas pelo diretor italiano. Interessa-me retornar a filmografia de Pasolini e...
What is the role or the function of the actor in Pasolini’s cinema? I shall try to put this very gen...
Italian author Pier Paolo Pasolini wrote his plays Affabulazione, Orgia and Porcile during his shift...
The aim of this article is to investigate the theoretical implications of Pier Paolo Pasolini's docu...
In 1968, Pier Paolo Pasolini, according his cinema of poetry article, makes Teorema, teling a stor...
Agnese Grieco's paper 'The Body of the Actor: Notes on the Relationship Between the Body and Acting ...
In this article we address an analysis of Pier Paolo Pasolini’s Salò or the 120 days of Sodom, a fil...
Since Pasolini deliberately cultivated an unrecognizable and illegible public image that embraced in...
Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. Hi...
A distanza di quasi cinquant'anni dall'uscita, Accattone sembra non aver perso nulla della sua caric...
In his study A Revaluation of Pasolini\u27s Salò A. Robert Lauer argues that in his last film, Sal...
Pier Paolo Pasolini, a controversial figure in contemporary Italian literature, is not only a poet, ...
This article is a dialogue with some of the writings of Pasolini about cinema, especially with the c...
Thinking about the body in contemporary art leads easily to an exaggerated focus on extremities and ...
The present study aims at re-analyzing two specific aspects of Pasolini’s cinematic staging of Sopho...
The short film La ricotta (Pier Paolo Pasolini, 1963) tells the story of Stracci, an extra working o...
What is the role or the function of the actor in Pasolini’s cinema? I shall try to put this very gen...
Italian author Pier Paolo Pasolini wrote his plays Affabulazione, Orgia and Porcile during his shift...
The aim of this article is to investigate the theoretical implications of Pier Paolo Pasolini's docu...
In 1968, Pier Paolo Pasolini, according his cinema of poetry article, makes Teorema, teling a stor...
Agnese Grieco's paper 'The Body of the Actor: Notes on the Relationship Between the Body and Acting ...
In this article we address an analysis of Pier Paolo Pasolini’s Salò or the 120 days of Sodom, a fil...
Since Pasolini deliberately cultivated an unrecognizable and illegible public image that embraced in...
Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. Hi...
A distanza di quasi cinquant'anni dall'uscita, Accattone sembra non aver perso nulla della sua caric...
In his study A Revaluation of Pasolini\u27s Salò A. Robert Lauer argues that in his last film, Sal...
Pier Paolo Pasolini, a controversial figure in contemporary Italian literature, is not only a poet, ...
This article is a dialogue with some of the writings of Pasolini about cinema, especially with the c...
Thinking about the body in contemporary art leads easily to an exaggerated focus on extremities and ...
The present study aims at re-analyzing two specific aspects of Pasolini’s cinematic staging of Sopho...
The short film La ricotta (Pier Paolo Pasolini, 1963) tells the story of Stracci, an extra working o...
What is the role or the function of the actor in Pasolini’s cinema? I shall try to put this very gen...
Italian author Pier Paolo Pasolini wrote his plays Affabulazione, Orgia and Porcile during his shift...
The aim of this article is to investigate the theoretical implications of Pier Paolo Pasolini's docu...