O estudo da imagina??o simb?lica em Gilbert Durand como fator de equil?brio humano

Submitted by Jos? Henrique Henrique (jose.neves@ufvjm.edu.br) on 2018-12-18T16:10:06Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) nicele_aparecida_lima.pdf: 1529355 bytes, checksum: f6509e37c0fa9abfd8de840099ad9c24 (MD5)Approved for entry into archive by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2019-01-28T14:04:51Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) nicele_aparecida_lima.pdf: 1529355 bytes, checksum: f6509e37c0fa9abfd8de840099ad9c24 (MD5)Made available in DSpace on 2019-01-28T14:04:51Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) nicele_aparecida_lima.pdf: 1529355 bytes, checksum: f6509e37c0fa9abfd8de840099ad9c24 (MD5) Previous issue date: 2018Toma-se como objeto geral deste estudo a imagina??o simb?lica apresentada por Gilbert Durand como uma das formas pelas quais o homem tem procurado equilibrar as tens?es e puls?es que adv?m do seu pr?prio corpo e do mundo. A estrutura??o da imagina??o simb?lica ? capaz de responder, conforme os estudos de Durand, aos questionamentos de passagem do tempo e termo da vida como experi?ncias angustiantes humanas. A perspectiva sociol?gica de Durand considera o s?mbolo como um vasto campo, aborda o estudo das imagens que podem se desenrolar e fornecer outras imagens. Para Durand o s?mbolo designa o processo geral de pensamento, simultaneamente indireto e concreto e que, por conseguinte, constitui o dado fundamental da consci?ncia humana. Deste modo, os s?mbolos designam, no sentido lato, a express?o cultural concreta do arqu?tipo e especificam-se sob a influ?ncia do meio f?sico (clima, fauna, vegeta??o, etc.) ou cultural (tecnologia, pr?ticas alimentares, organiza??o familiar ou social, etc.). A resposta dos questionamentos poder? aviar constru??es argumentativas extra?das das obras de Gilbert Durand que impliquem na amplia??o do discurso sobre a imagina??o simb?lica de forma epistemol?gica e interdisciplinar servindo tamb?m de subs?dio para outras pesquisas que abordarem o tema.Disserta??o (Mestrado Profissional) ? Programa de P?s-Gradua??o em Ci?ncias Humanas, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2018.The general object of this study is the symbolic imagination presented by Gilbert Durand as one of the ways in which man has sought to balance the tensions and drives that come from his own body and from the world. The structuring of the symbolic imagination is capable of responding, according to Durand's studies, to the questioning of the passage of time and the end of life as human anguishing experiences. Durand's sociological perspective considers the symbol as a vast field, it addresses the study of images that can unfold and provide other images. For Durand, the symbol designates the general process of thought, both indirect and concrete, and which therefore constitutes the fundamental data of human consciousness. In this way, the symbols designate in the broadest sense the concrete cultural expression of the archetype and are specified under the influence of the physical environment (climate, fauna, vegetation, etc.) or cultural (technology, food practices, family or social organization, etc.). The answer to the questionings may lead to argumentative constructions extracted from the works of Gilbert Durand that imply in the expansion of the discourse on the symbolic imagination in an epistemological and interdisciplinary way, also serving as a subsidy for other researches that approach the theme