Based on a great variety of primary and secondary sources, and referring to the ideas of Derrida, Spivak, and contemporary feminist theories, this study explores the ways in which Mari_a de Zayas y Sotomayor subverts and destabilizes the rigid patriarchal structure that predominated in the seventeenth century in order to give voice to women or female desire. Zayas constructs characters that are active, strong, clever, and ingenious, and who reject submission to the totalizing conventional customs of the age, and who challenge and fight against elements of a confining patriarchy. Likewise, through female writing about women who speak of cruelty and victimization at the hands of men, this thesis will discuss the resistance and subversion of Z...
Degree awarded: Ph.D. Spanish. The Catholic University of AmericaAlthough María de Zayas is now cons...
Taking as a starting point the expression ‘virtuosa osadía’ that appears in the prologue Al que leye...
As we gaze into the mirror of literary texts, we often forget that the images projected back at us a...
This comprehensive study of Maria de Zayas y Sotomayor\u27s Novelas amorosas y ejemplares and Deseng...
Maria de Zayas y Sotomayor, writer of the Spanish Baroque "novela corta", (Novelas amorosas y ejempl...
Marginalisation has many intersecting forms and historically, early modern Spanish women have suffer...
The texts of María de Zayas, a seventeenth-century female writer who is considered by many critics o...
María de Zayas y Sotomayor (1591 – 1661?) was the best-selling author of two extant collections of n...
The Baroque´s writer María de Zayas reflects in her narrative and dramatic work the defense of a rev...
This dissertation articulates María de Zayas\u27 model of female subjectivity as a means of social a...
We have evidence that Maria de Zayas participated in literary academies and contests, and that she w...
This thesis deals with two seventeenth century Spanish writers: Maria de Zayas y Sotomayor y Mariana...
María de Zayas y Sotomayor (1591 – 1661?) was the best-selling woman author of two extant collection...
This study based on María de Zayas Sotomayor and Tirso de Molina, especially on their classical Gold...
This study based on María de Zayas Sotomayor and Tirso de Molina, especially on their classical Gold...
Degree awarded: Ph.D. Spanish. The Catholic University of AmericaAlthough María de Zayas is now cons...
Taking as a starting point the expression ‘virtuosa osadía’ that appears in the prologue Al que leye...
As we gaze into the mirror of literary texts, we often forget that the images projected back at us a...
This comprehensive study of Maria de Zayas y Sotomayor\u27s Novelas amorosas y ejemplares and Deseng...
Maria de Zayas y Sotomayor, writer of the Spanish Baroque "novela corta", (Novelas amorosas y ejempl...
Marginalisation has many intersecting forms and historically, early modern Spanish women have suffer...
The texts of María de Zayas, a seventeenth-century female writer who is considered by many critics o...
María de Zayas y Sotomayor (1591 – 1661?) was the best-selling author of two extant collections of n...
The Baroque´s writer María de Zayas reflects in her narrative and dramatic work the defense of a rev...
This dissertation articulates María de Zayas\u27 model of female subjectivity as a means of social a...
We have evidence that Maria de Zayas participated in literary academies and contests, and that she w...
This thesis deals with two seventeenth century Spanish writers: Maria de Zayas y Sotomayor y Mariana...
María de Zayas y Sotomayor (1591 – 1661?) was the best-selling woman author of two extant collection...
This study based on María de Zayas Sotomayor and Tirso de Molina, especially on their classical Gold...
This study based on María de Zayas Sotomayor and Tirso de Molina, especially on their classical Gold...
Degree awarded: Ph.D. Spanish. The Catholic University of AmericaAlthough María de Zayas is now cons...
Taking as a starting point the expression ‘virtuosa osadía’ that appears in the prologue Al que leye...
As we gaze into the mirror of literary texts, we often forget that the images projected back at us a...