Feminist film critics maintain that the dominant look in cinema is, historically, a\ud gendered gaze. More precisely, this viewpoint argues that the dominant visual and\ud narrative conventions of filmmaking generally fix "women as image" and "men as\ud bearer of the image." I would like to suggest that Hollywood cinema also frames\ud a highly particularized racial gaze-that is, a representational system that positions\ud Blacks as image and Whites as bearer of the image
American cinematic glamour shapes hegemonic notions of femininity, beauty, performativity, sensualit...
abstract: The lack of diversity for minorities and especially women of color is astounding in the fi...
Gender issue in cinema like all other media of communication is the product of stereotyping in the e...
My claim is that many of the films directed since the birth of the cinema, and featuring African Ame...
Overrepresentation of white actors in Hollywood film is a problematic and well documented problem o...
While extensive research on mainstream media has examined African Americans\u27 and women\u27s on-sc...
This work is an effort to systematically examine the major characterizations of Black women in Ameri...
The world where we live, defined by the class, gender and race variables, reproduces itself t...
This thesis analyzes the role of American films in promoting Anti-Black imagery. It examines how fil...
Since its inception at the end of the nineteenth century, cinema has played an important role both ...
Toni Morrison’s novel The Bluest Eye (1970) examines the effects of 1940s American white cultural he...
The research that I am about to embark on focuses on the shift in expressions of gendered race in a ...
In the past, poignant controlling images and stereotypes have run prevalent in the American historic...
In my project I am researching the Black Aesthetic and examining how it’s African American literary ...
This thesis examines the following questions: Where does the Black woman as actress fit into this id...
American cinematic glamour shapes hegemonic notions of femininity, beauty, performativity, sensualit...
abstract: The lack of diversity for minorities and especially women of color is astounding in the fi...
Gender issue in cinema like all other media of communication is the product of stereotyping in the e...
My claim is that many of the films directed since the birth of the cinema, and featuring African Ame...
Overrepresentation of white actors in Hollywood film is a problematic and well documented problem o...
While extensive research on mainstream media has examined African Americans\u27 and women\u27s on-sc...
This work is an effort to systematically examine the major characterizations of Black women in Ameri...
The world where we live, defined by the class, gender and race variables, reproduces itself t...
This thesis analyzes the role of American films in promoting Anti-Black imagery. It examines how fil...
Since its inception at the end of the nineteenth century, cinema has played an important role both ...
Toni Morrison’s novel The Bluest Eye (1970) examines the effects of 1940s American white cultural he...
The research that I am about to embark on focuses on the shift in expressions of gendered race in a ...
In the past, poignant controlling images and stereotypes have run prevalent in the American historic...
In my project I am researching the Black Aesthetic and examining how it’s African American literary ...
This thesis examines the following questions: Where does the Black woman as actress fit into this id...
American cinematic glamour shapes hegemonic notions of femininity, beauty, performativity, sensualit...
abstract: The lack of diversity for minorities and especially women of color is astounding in the fi...
Gender issue in cinema like all other media of communication is the product of stereotyping in the e...