The aim of this article is to examine the Futurists’ understanding and interpretation of war noises and sounds before, during and after their First World War combat experiences. Firstly, the article examines the Futurist interest in war noises prior to the outbreak of the First World War, secondly, it analyses the Futurists’ experience of war noises during their time in combat, focusing particularly on the figures of Filippo Tommaso Marinetti, Umberto Boccioni, and Luigi Russolo. Finally, the article examines how the Futurist pre-war pronouncements on war noises offered them a ‘road map’ of how to behave in battle and provided them with successful strategies for coping with the intensity of life in the trenches
Futurism was launched as a revolutionary, iconoclastic movement encompassing the arts, politics and ...
This study for the most famous of the Futurist war paintings, The Armored Train (1915), incorporates...
This paper discusses the crucial tension between expression and experience in the Futurist art-actio...
The aim of this article is to examine the Futurists’ understanding and interpretation of war noises ...
The aim of this article is to examine the Futurists’ understanding and interpretation of war noises ...
Filippo Tommaso Marinetti’s first experience of active combat was as a member of the Lombard Battal...
This article focuses on Russian Futurist poets Vladimir Mayakovsky and Velimir Khlebnikov and their ...
none1noThis article is focused on the representation of World War I in European avant-garde paint...
Thanks to their deliberate engagement in state propaganda Italian Futurists deserved a prominent spo...
Excerpt from Amor Pedestre / Love Afoot or Pedestrian Love, a 1914 film by Marcel Fabre, here accomp...
War and nationalism in Italian and Russian Futurism The year 2014 marked the centenary of the beginn...
With the opening of the Twentieth Century, the beneficial river of the Avant-gardes seemed to flood ...
My analysis focuses on F.T. Marinetti’s Come si seducono le donne, which he dictated to his friend B...
With the beginning of the twentieth century, Europe saw a moment of great political, economic and so...
The paper focuses on R. Weiner’s 1916 short story collection Lítice / Furies which captures his dire...
Futurism was launched as a revolutionary, iconoclastic movement encompassing the arts, politics and ...
This study for the most famous of the Futurist war paintings, The Armored Train (1915), incorporates...
This paper discusses the crucial tension between expression and experience in the Futurist art-actio...
The aim of this article is to examine the Futurists’ understanding and interpretation of war noises ...
The aim of this article is to examine the Futurists’ understanding and interpretation of war noises ...
Filippo Tommaso Marinetti’s first experience of active combat was as a member of the Lombard Battal...
This article focuses on Russian Futurist poets Vladimir Mayakovsky and Velimir Khlebnikov and their ...
none1noThis article is focused on the representation of World War I in European avant-garde paint...
Thanks to their deliberate engagement in state propaganda Italian Futurists deserved a prominent spo...
Excerpt from Amor Pedestre / Love Afoot or Pedestrian Love, a 1914 film by Marcel Fabre, here accomp...
War and nationalism in Italian and Russian Futurism The year 2014 marked the centenary of the beginn...
With the opening of the Twentieth Century, the beneficial river of the Avant-gardes seemed to flood ...
My analysis focuses on F.T. Marinetti’s Come si seducono le donne, which he dictated to his friend B...
With the beginning of the twentieth century, Europe saw a moment of great political, economic and so...
The paper focuses on R. Weiner’s 1916 short story collection Lítice / Furies which captures his dire...
Futurism was launched as a revolutionary, iconoclastic movement encompassing the arts, politics and ...
This study for the most famous of the Futurist war paintings, The Armored Train (1915), incorporates...
This paper discusses the crucial tension between expression and experience in the Futurist art-actio...