This dissertation is an ethnomusicological study of value and diaspora, centered on the cultural production of carnival in one of the Caribbean’s largest overseas communities: London. While acknowledging the significant economic contributions of the Notting Hill Carnival street festival to the British economy, which generates an estimated �100M during its annual production, the principal aim of this dissertation is to illustrate how non-economic forms of value are produced through carnival that are (or may be at times) external to its market value. This is done by integrating anthropological theories of value with my ethnography of London’s carnival arts scene to better understand how music, cultural practices, festival performances, and ...
In the tourist’s popular imagination Jamaica is red, green and gold; reggae music played on pristine...
After half a century of reggae music it remains true that its story is not adequately documented in ...
Carnival, that image of sensuous frivolity, is shown by Abner Cohen to be a masquerade for the dynam...
This thesis offers an ethnographic perspective on `African-Caribbean' Carnivals in Leeds (Chapeltow...
This paper aims to discuss the significance of selected disciplines of the Notting Hill Carnival hel...
An updated and edited version of the essay published by the Open University Press. It also includes...
[eng] This dissertation takes a transatlantic approach in its exploration of identity and representa...
This dissertation addresses the problem of identity formation for transnational populations. It is c...
This thesis analyses ethnographic data gathered during participant observation within two vernacular...
Popular music plays a powerful role in people's lives. The centrality that it takes in the individua...
As a huge, Caribbean-led, culturally hybridised, inter-ethnic festival of popular artistic creativit...
This thesis is based on ethnographic research carried out between October 1993 and September 1994 an...
The thesis attempts to look at the ways in which the various ethnic and cultural groups of Africans ...
Traditional annual festivals in Ghana have drawn considerable attention from scholars for their rich...
textThis dissertation examines the production of culture among Indo-Caribbean communities in New Yor...
In the tourist’s popular imagination Jamaica is red, green and gold; reggae music played on pristine...
After half a century of reggae music it remains true that its story is not adequately documented in ...
Carnival, that image of sensuous frivolity, is shown by Abner Cohen to be a masquerade for the dynam...
This thesis offers an ethnographic perspective on `African-Caribbean' Carnivals in Leeds (Chapeltow...
This paper aims to discuss the significance of selected disciplines of the Notting Hill Carnival hel...
An updated and edited version of the essay published by the Open University Press. It also includes...
[eng] This dissertation takes a transatlantic approach in its exploration of identity and representa...
This dissertation addresses the problem of identity formation for transnational populations. It is c...
This thesis analyses ethnographic data gathered during participant observation within two vernacular...
Popular music plays a powerful role in people's lives. The centrality that it takes in the individua...
As a huge, Caribbean-led, culturally hybridised, inter-ethnic festival of popular artistic creativit...
This thesis is based on ethnographic research carried out between October 1993 and September 1994 an...
The thesis attempts to look at the ways in which the various ethnic and cultural groups of Africans ...
Traditional annual festivals in Ghana have drawn considerable attention from scholars for their rich...
textThis dissertation examines the production of culture among Indo-Caribbean communities in New Yor...
In the tourist’s popular imagination Jamaica is red, green and gold; reggae music played on pristine...
After half a century of reggae music it remains true that its story is not adequately documented in ...
Carnival, that image of sensuous frivolity, is shown by Abner Cohen to be a masquerade for the dynam...