The central aim of this dissertation is to effectively trace the intersection of race and urban epistemology by examining representations of the American metropolis in literary and cinematic noir. In addition to analyzing classic hard-boiled texts and noir films, I introduce a new range of texts that suggestively argue for the racialization of the city as a significant source of noir anxiety; these texts, I contend, speak directly to the complexities in the evolution of noir and its many subgenres and appropriations. One of the primary interests of my dissertation, then, is to explicate the ways in which race narrativizes the city, and in turn, how the city narrativizes race. In my investigation, I look to social histories of cities as well...
This dissertation investigates representations of African Americans in the work of urban realist art...
This dissertation is an examination of literary and filmic representations of the post-1945 city, or...
This thesis provides an analysis of the films Chinatown (1974) and Blade Runner (1982) on the basis ...
The central aim of this dissertation is to effectively trace the intersection of race and urban epis...
This book combines film studies with urban theory in a spatial exploration of twentieth century Los ...
Urban and domestic spaces are at the core of the American film noir developed in the 1940s and 50s. ...
Film noir has usually been considered to be an autonomous cinematic movement and many critics have f...
After World War II, film audiences of American crime dramas, later termed film noirs, witnessed the ...
This thesis is concerned with the debates and the problems bound within the concept of 'film noir', ...
This paper is an attempt to read the American city from an alternative point of view by focusing on ...
This thesis examines the changing depictions of race relations between white working-class protagon...
In the twentieth century, in the United States, the figure of the nineteenth century frontier pionee...
The American film noir is a cinematic tradition whose represen-tations are thoroughly liminal. What ...
City of Angels (1989) uniquely transforms the structural, thematic, and visual elements of film noir...
The paper‟s main argument is the idea that the city plays a key role in formation of contemporary Af...
This dissertation investigates representations of African Americans in the work of urban realist art...
This dissertation is an examination of literary and filmic representations of the post-1945 city, or...
This thesis provides an analysis of the films Chinatown (1974) and Blade Runner (1982) on the basis ...
The central aim of this dissertation is to effectively trace the intersection of race and urban epis...
This book combines film studies with urban theory in a spatial exploration of twentieth century Los ...
Urban and domestic spaces are at the core of the American film noir developed in the 1940s and 50s. ...
Film noir has usually been considered to be an autonomous cinematic movement and many critics have f...
After World War II, film audiences of American crime dramas, later termed film noirs, witnessed the ...
This thesis is concerned with the debates and the problems bound within the concept of 'film noir', ...
This paper is an attempt to read the American city from an alternative point of view by focusing on ...
This thesis examines the changing depictions of race relations between white working-class protagon...
In the twentieth century, in the United States, the figure of the nineteenth century frontier pionee...
The American film noir is a cinematic tradition whose represen-tations are thoroughly liminal. What ...
City of Angels (1989) uniquely transforms the structural, thematic, and visual elements of film noir...
The paper‟s main argument is the idea that the city plays a key role in formation of contemporary Af...
This dissertation investigates representations of African Americans in the work of urban realist art...
This dissertation is an examination of literary and filmic representations of the post-1945 city, or...
This thesis provides an analysis of the films Chinatown (1974) and Blade Runner (1982) on the basis ...