The allegorical significance of Fortune in Dosso Dossi’s Allegory of Fortune has been largely unstudied. Though the painting’s patronage cannot be confirmed, the few scholars who have written on Dossi’s piece agree that Isabella d’Este is the most likely patron. If this is the case, then Isabella d’Este’s role as the commissioner of this work must be taken into account. This paper proposes that the Allegory of Fortune is not just an allegorical representation of the quality of Fortune, but an allegory for Isabella d’Este’s own struggles with fortune. By depicting such a temporal quality in a permanent state, Isabella d’Este was asserting her control over her own fortunes in life. This idea is echoed in other representations of Fortune, as w...
This Thesis attempts to demonstrate that the themes behind Andrea Mantegna's Parnassus and The Trium...
This thesis is a cognitive linguistic analysis of the concept of fortune and how it has changed over...
This article focuses on the frescoed frieze in Palazzo Vizzani, the one with The History of Cyrus th...
The capricious roman goddess Fortune is known for her strong power to influence or even decide the d...
Allegories of Fortune proliferated in 16th century Italy as a means for cultural producers to confro...
Although fortune is ubiquitous in Renaissance literature, treatments of it rarely agree about precis...
The pack of cards now known as the tarot or tarocchi emerged in Northern Italy around the mid 15th c...
Marchesa Isabella d’Este, arguably the most studied woman patron of her time, lived among the master...
Ce travail sur l’iconographie de Fortune au Moyen Âge et à la Renaissance se base sur un corpus de p...
Dans les dernières décennies du XVIe siècle, s’épanouit une histoire « à hauteur d’homme », du fait ...
This thesis examines the representations of Fortune in Boccaccio's Filostrato, Chaucer's Troilus and...
Throughout time mankind has resigned himself to the changeability of Fortune. Each cultural expressi...
The patronage system was the dominant force behind the creation of new works of art throughout the R...
Since the first edition of Le Imagini con la spositione de i dei de gli antichi (Images and descript...
The aim of this article is to examine, through fifteenth- and sixteenth-century documents, the ways ...
This Thesis attempts to demonstrate that the themes behind Andrea Mantegna's Parnassus and The Trium...
This thesis is a cognitive linguistic analysis of the concept of fortune and how it has changed over...
This article focuses on the frescoed frieze in Palazzo Vizzani, the one with The History of Cyrus th...
The capricious roman goddess Fortune is known for her strong power to influence or even decide the d...
Allegories of Fortune proliferated in 16th century Italy as a means for cultural producers to confro...
Although fortune is ubiquitous in Renaissance literature, treatments of it rarely agree about precis...
The pack of cards now known as the tarot or tarocchi emerged in Northern Italy around the mid 15th c...
Marchesa Isabella d’Este, arguably the most studied woman patron of her time, lived among the master...
Ce travail sur l’iconographie de Fortune au Moyen Âge et à la Renaissance se base sur un corpus de p...
Dans les dernières décennies du XVIe siècle, s’épanouit une histoire « à hauteur d’homme », du fait ...
This thesis examines the representations of Fortune in Boccaccio's Filostrato, Chaucer's Troilus and...
Throughout time mankind has resigned himself to the changeability of Fortune. Each cultural expressi...
The patronage system was the dominant force behind the creation of new works of art throughout the R...
Since the first edition of Le Imagini con la spositione de i dei de gli antichi (Images and descript...
The aim of this article is to examine, through fifteenth- and sixteenth-century documents, the ways ...
This Thesis attempts to demonstrate that the themes behind Andrea Mantegna's Parnassus and The Trium...
This thesis is a cognitive linguistic analysis of the concept of fortune and how it has changed over...
This article focuses on the frescoed frieze in Palazzo Vizzani, the one with The History of Cyrus th...
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