This piece is adapted from a lecture delivered in the “Performing Institutions” series curated by Artists Space with the 2012 Whitney Biennial. The event also included David Velasco of Artforum as well as Sarah Michelson, who had just become the first choreographer to win the Bucksbaum Award for the best work presented at the Whitney Biennial. Artists Space represented the Performing Institutions series in the following terms: “Taking as its starting point the 2012 Whitney Biennial's allocation of the fourth floor Emily Fischer Landau Galleries as a performance space for music, dance, theater, and participatory programming, this series of talks consider the status of performance and ‘virtuosity’ within the parameters of an institutional pub...
International audienceWhy has performance become banal and spread into small events like openings or...
A performance research project bringing together artists and academics from Beijing Dance Academy, T...
This performance-event was a praxic collaboration where the participants are attempting to explore, ...
This issue of Performance Paradigm, focusing on “Performance, Choreography and the Gallery,” takes t...
This paper argues that the art world’s current fascination for dance follows on from a previous high...
Can performance art be conserved – and if so, how? At this colloquium, Performance Conservation: Art...
UnrestrictedThe merging of performance into the public sphere has expanded the space for participati...
Exhibiting and (re)presenting -otherwise put, the exhibition and the spectacle- are the two sides of...
As major international art institutions incorporate performance into their programs and collections,...
This thesis proposes to look at the recent interest of museum in dance and choreography through the ...
Processes and forms of valuation, evaluation and valorization are important for bringing contemporar...
Taking Judith Butler’s concept of ‘performative acts and gender constitution’ to explain “the mundan...
Performance work is increasingly in dialogue with contemporary visual art; artists frequently utilis...
On June 9-10, the symposium “Revolving Documents #1: Narrations of the Beginnings of Performance Art...
The thesis examines the emergent, recurrent and proliferating arc of curatorial frameworks that hav...
International audienceWhy has performance become banal and spread into small events like openings or...
A performance research project bringing together artists and academics from Beijing Dance Academy, T...
This performance-event was a praxic collaboration where the participants are attempting to explore, ...
This issue of Performance Paradigm, focusing on “Performance, Choreography and the Gallery,” takes t...
This paper argues that the art world’s current fascination for dance follows on from a previous high...
Can performance art be conserved – and if so, how? At this colloquium, Performance Conservation: Art...
UnrestrictedThe merging of performance into the public sphere has expanded the space for participati...
Exhibiting and (re)presenting -otherwise put, the exhibition and the spectacle- are the two sides of...
As major international art institutions incorporate performance into their programs and collections,...
This thesis proposes to look at the recent interest of museum in dance and choreography through the ...
Processes and forms of valuation, evaluation and valorization are important for bringing contemporar...
Taking Judith Butler’s concept of ‘performative acts and gender constitution’ to explain “the mundan...
Performance work is increasingly in dialogue with contemporary visual art; artists frequently utilis...
On June 9-10, the symposium “Revolving Documents #1: Narrations of the Beginnings of Performance Art...
The thesis examines the emergent, recurrent and proliferating arc of curatorial frameworks that hav...
International audienceWhy has performance become banal and spread into small events like openings or...
A performance research project bringing together artists and academics from Beijing Dance Academy, T...
This performance-event was a praxic collaboration where the participants are attempting to explore, ...