This dissertation studies the economics of historical and modern innovation. The first chapter makes inroads into understanding how competition and incentives shape the creative process which lies at the heart of all technological progress. The creative act is a classic example of a black box in academic research: we can see the inputs and outputs, but we know little about what happens in between. This paper uses new tools for measuring the content of digital media to see how commercial graphic designers’ work evolves in winner-take-all competition. In this chapter, I show that competition both creates and destroys incentives for innovation: some competition is necessary to motivate high-performers to experiment with novel, untested ideas o...