This text will examine the lineage of performance art and its relationship to the bodies of both the performer and viewer in order to define an alternative to dominant modes of performance art production, which utilize the Explicit Body and the Mediated Body. The essential qualities of the Absent Body are defined in conjunction with a series of sculptural works with sonic and kinetic elements, Nothing to Amplify, that comprise the physical element of the thesis in Visual Art
The aim of this article is to focus on the body as instrument or means in performance-art. Since the...
“Something Other Than The Absence Of Sound” is a three-part moving image installation derived from a...
Any work of art needs a viewer, listener and reader who understands it, aesthetically enjoys and app...
This paper explores the absent body in physical space, both as spectators and makers of theatre, wit...
Faceless Body in Performance is a practice-led research project in live and digital performance. Th...
This text analyses the series “Voar” (2001) by Helena Almeida and “Anatomy and Boxing” (1996) by Jor...
The development of modern art over the past century has been towards a greater emphasis of the artis...
Performance art fetishizes the present and presence; the moment of viewing, hearing, and seeing, is ...
Traces of Being: a document of absence in words presents an investigation of the physical performanc...
Consciously or unconsciously, a new subversive world has been built with the change of consciousness...
This thesis explores performance through an investigation of art in which the artist’s body is obscu...
The focal spots in art have changed in the years when postmodernism has gained wide currency, the so...
From the always quoted beginning of Aesthetic Theory, I offer a brief overview through the absence o...
The work explores the intimate and involuntary experiences of mediated space that challenge our esta...
Hannah Beatrice, THE ARTIST IS NOT PRESENT: A strategic investigation of psychological complexity t...
The aim of this article is to focus on the body as instrument or means in performance-art. Since the...
“Something Other Than The Absence Of Sound” is a three-part moving image installation derived from a...
Any work of art needs a viewer, listener and reader who understands it, aesthetically enjoys and app...
This paper explores the absent body in physical space, both as spectators and makers of theatre, wit...
Faceless Body in Performance is a practice-led research project in live and digital performance. Th...
This text analyses the series “Voar” (2001) by Helena Almeida and “Anatomy and Boxing” (1996) by Jor...
The development of modern art over the past century has been towards a greater emphasis of the artis...
Performance art fetishizes the present and presence; the moment of viewing, hearing, and seeing, is ...
Traces of Being: a document of absence in words presents an investigation of the physical performanc...
Consciously or unconsciously, a new subversive world has been built with the change of consciousness...
This thesis explores performance through an investigation of art in which the artist’s body is obscu...
The focal spots in art have changed in the years when postmodernism has gained wide currency, the so...
From the always quoted beginning of Aesthetic Theory, I offer a brief overview through the absence o...
The work explores the intimate and involuntary experiences of mediated space that challenge our esta...
Hannah Beatrice, THE ARTIST IS NOT PRESENT: A strategic investigation of psychological complexity t...
The aim of this article is to focus on the body as instrument or means in performance-art. Since the...
“Something Other Than The Absence Of Sound” is a three-part moving image installation derived from a...
Any work of art needs a viewer, listener and reader who understands it, aesthetically enjoys and app...