This dissertation, examines how rhizomatic cultural production in late twentieth-century Tijuana-San Diego responded to processes of deterritorialization from the two nations that struggled to consolidate their shared border. It investigates how the region’s Mexican, Mexican-American and Chicano writers and artists from the 1950s to the 1990s constructed their aesthetic projects and social subjectivities by engaging multidirectional nationalistic forces from both sides of the border. Specifically, this community spread aesthetic and discursive rhizomes in a line of flight from a post-revolutionary centralist Mexico and across a settler-colonialist United States that had increasingly criminalized immigration. In the process, these artists an...
This dissertation revisits the U.S.-Mexico borderlands to examine its neoliberal transformation inte...
In this dissertation, I investigate the changing art and identities of Latino artists in twentieth-...
In this dissertation, I investigate the changing art and identities of Latino artists in twentieth-...
This dissertation, examines how rhizomatic cultural production in late twentieth-century Tijuana-San...
This dissertation considers how the Californias have inherited two different colonial histories and ...
My dissertation considers how the field of border studies within Ethnic Studies is inherently both t...
My dissertation considers how the field of border studies within Ethnic Studies is inherently both t...
In this dissertation, I identify the cultural workings of four systems that embody the restriction o...
This dissertation develops the trope of an ethnographic aesthetic to dissect the cultural production...
Considered the World's Busiest Border Crossing, the San Ysidro port of entry is located in a small, ...
This dissertation examines how Chicanx literature and art from the 1970s to the end of the twentieth...
Until recently, Mexican identity at Mexico’s northern border had been viewed as a marginal manifesta...
2 ABSTRACT OF THE DISSERTATION El empalme de fronteras y los procesos de identificación como métod...
textMy dissertation, Wixárika Art and Artists: Resisting Neocolonialism While Crossing Visible and ...
This dissertation revisits the U.S.-Mexico borderlands to examine its neoliberal transformation inte...
This dissertation revisits the U.S.-Mexico borderlands to examine its neoliberal transformation inte...
In this dissertation, I investigate the changing art and identities of Latino artists in twentieth-...
In this dissertation, I investigate the changing art and identities of Latino artists in twentieth-...
This dissertation, examines how rhizomatic cultural production in late twentieth-century Tijuana-San...
This dissertation considers how the Californias have inherited two different colonial histories and ...
My dissertation considers how the field of border studies within Ethnic Studies is inherently both t...
My dissertation considers how the field of border studies within Ethnic Studies is inherently both t...
In this dissertation, I identify the cultural workings of four systems that embody the restriction o...
This dissertation develops the trope of an ethnographic aesthetic to dissect the cultural production...
Considered the World's Busiest Border Crossing, the San Ysidro port of entry is located in a small, ...
This dissertation examines how Chicanx literature and art from the 1970s to the end of the twentieth...
Until recently, Mexican identity at Mexico’s northern border had been viewed as a marginal manifesta...
2 ABSTRACT OF THE DISSERTATION El empalme de fronteras y los procesos de identificación como métod...
textMy dissertation, Wixárika Art and Artists: Resisting Neocolonialism While Crossing Visible and ...
This dissertation revisits the U.S.-Mexico borderlands to examine its neoliberal transformation inte...
This dissertation revisits the U.S.-Mexico borderlands to examine its neoliberal transformation inte...
In this dissertation, I investigate the changing art and identities of Latino artists in twentieth-...
In this dissertation, I investigate the changing art and identities of Latino artists in twentieth-...