This paper presents experiences and personal reflections on teaching art in multicultural secondary schools in New Zealand for over forty years. An educational construct that puts students’ lived realities and cultural experiences at the forefront of their education—primarily through a process of respecting them and their communities—is presented by an art teacher whose career and practice have moved from a monocultural, Eurocentric system to a more equitable, diverse, student-based culture
The aims of the recent arts education reform is to build on the strengths of existing practice, to a...
Students in low socio-economic schools are over-represented in the group of students who leave schoo...
This paper discusses one aspect of a course provided in an Australian university to prepare preservi...
New Zealand has become an increasingly multicultural society since the 1990s. But multicultural educ...
Eisner (1972) articulated a long-standing orientation in art education as he described the triadic r...
ABSTRACT Eisner (1972) articulated a long-standing orientation in art education as he described the ...
The Arts in the New Zealand Curriculum document (2000) is recognised by many arts educators as an in...
This research investigates drama teaching practice in New Zealand primary and secondary schools, thr...
The Arts in the New Zealand Curriculum draft, was launched by the Hon. Dr. Nick Smith, then Educatio...
The greatest numbers of young people in New Zealand are from Pasifika peoples’ ethnic groups. In con...
Through social interaction the Arts connects communities and brings people together where both conte...
New Zealand has its educational roots in 19th and 20th century British educational systems with clos...
This paper investigates the role of pre-service teachers in facilitating 21st century global compete...
Serious questions have been raised by arts educators and community members about the effectiveness o...
In New Zealand specialist courses in the arts at undergraduate level, and one year diplomas in teach...
The aims of the recent arts education reform is to build on the strengths of existing practice, to a...
Students in low socio-economic schools are over-represented in the group of students who leave schoo...
This paper discusses one aspect of a course provided in an Australian university to prepare preservi...
New Zealand has become an increasingly multicultural society since the 1990s. But multicultural educ...
Eisner (1972) articulated a long-standing orientation in art education as he described the triadic r...
ABSTRACT Eisner (1972) articulated a long-standing orientation in art education as he described the ...
The Arts in the New Zealand Curriculum document (2000) is recognised by many arts educators as an in...
This research investigates drama teaching practice in New Zealand primary and secondary schools, thr...
The Arts in the New Zealand Curriculum draft, was launched by the Hon. Dr. Nick Smith, then Educatio...
The greatest numbers of young people in New Zealand are from Pasifika peoples’ ethnic groups. In con...
Through social interaction the Arts connects communities and brings people together where both conte...
New Zealand has its educational roots in 19th and 20th century British educational systems with clos...
This paper investigates the role of pre-service teachers in facilitating 21st century global compete...
Serious questions have been raised by arts educators and community members about the effectiveness o...
In New Zealand specialist courses in the arts at undergraduate level, and one year diplomas in teach...
The aims of the recent arts education reform is to build on the strengths of existing practice, to a...
Students in low socio-economic schools are over-represented in the group of students who leave schoo...
This paper discusses one aspect of a course provided in an Australian university to prepare preservi...